Wednesday, October 4, 2017

Flatliners [2017]

MPAA (PG-13)  CNS/USCCB (L)  RogerEbert.com (2 Stars)  AVClub (D+)  Fr. Dennis (2 Stars)

IMDb listing
CNS/USCCB (J. Mulderig) review
Los Angeles Times (N. Murray) review
RogerEbert.com (M. Zoller Seitz) review
AVClub (M. D'Angelo) review


Flatliners [2017] (directed by Neils Arden Oplev, screenplay by Ben Ripley story by Peter Filardy) remake of Flatliners [1990] (directed by Joel Schumacher, screenplay by Peter Filardy) seeks to "update" the original, a film about five medical students who decide to try to explore the phenomenon of  Near Death Experience (NDE),"  They do so by boldly sending each other (one at a time) into the realm of near-death by STOPPING their hearts with a defibrillator, and then, after a period of time, attempting to revive them.  In the remake, the students chronicle their test subjects' / colleagues' near death experiences by means of recording the test subjects' brain activity through a continuous / real time MRI scan.

Okay, the method of investigation seems remarkably plausible if, of course, very, very risky. 

However, the story that follows, especially in the remake, becomes silly and arguably even offensive to many / most religious viewers: 

For instance, one of the medical students, Courtney (played by Ellen Page) who's actually the instigator of the whole experiment comes to be stalked by some demonic apparition of her younger, 10 year old, sister who she _accidentally_ killed some years before. 

I found that whole subplot so difficult to fathom that it turned me off to the rest of the movie.  It just seems inconceivable to me that a 10 year old girl would "come back" to take vengeance on her older sister, when it was so clear that her older sister had killed her _by accident_.  It's a scenario that seems utterly foreign to a Christian / Catholic sensibility. 

But perhaps to a "post-Christian" set of film-makers it somehow becomes possible.

Now while the premise of the film (as the original) is indeed fascinating (who hasn't wondered what it would be like at the moment of death?), the Catholic Church and the whole of the Biblical tradition (1 Samuel 28) has warned repeatedly against any form of "divination" (prediction of the future) and arguably the film is about a perhaps surprising new form of "divination" or otherwise "tempting fate."

As such, the Church would counsel to simply _wait_ to see what comes at death, assuring us that if we do live our lives honestly / well, that "all will turn out okay" and certainly _counsel against_ any and all attempts to "play God."

So, as inherently fascinating as the subject matter of this story may be, the Church would say ... leave it alone.  And honestly, it is clear that the film-makers once presenting the film's premise -- of a group of medical students setting out to study what awaits us in the "near beyond" -- did not know what to do with the story afterwards.

Sigh, disappointing.


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