Stand Clear of the Closing Doors [2013]

MPAA (PG-13)  RE.com (3 Stars)  AVClub (B+)  Fr. Dennis (3 1/2 Stars)

IMDb listing
ChicagoTribune / Variety (R. Scheib) review
RE.com (M. Zoller-Seitz) review
AVClub (D. Ehrlich) review

Stand Clear of the Closing Doors [2013] (directed by Sam Fleischner, story by and screenplay cowritten by Rose Lichter Marck along with Micah Bloomberg) is a well-crafted, personalist drama about a Hispanic family living in New York City (Rockaway Beach) with a 13-year-old son with autism spectrum disorder.  The film played recently in Chicago at Facets Multimedia.

Mom, Mariana (played by Andrea Suarez Paz), works as a housekeeper.  Dad, Ricardo, Sr (played by Tenoch Huerta), generally works upstate in construction.  It appears that one or both are undocumented.  Together, they have a 15 year old daughter Carla (played by Azul Zorrilla) and Ricky, Jr (played by Jesus Sanchez-Velez) who has autism.

Since dad is rarely at home, working somewhere "upstate" (which in New York's conception could mean anywhere from "just north of the City in Westchester County" up the entire Hudson / Mohawk River valleys to the shores of Lakes Eire / Ontario and to the Canadian border), and mom works pretty much from sunrise-to-sunset if closer then still "away," 15-year-old Carla is generally left to look after (keep track of) 13-year-old (why's your brother so weird?) Ricky to inevitable (and understandable) teenage friction.  After all, she has friends, dreams of "having a life" and yet she's largely responsible for her 13 year old brother who's just borderline to not require a completely special school, but still causes chronic irritating frustrations at both home and at school.

So perhaps inevitably, one afternoon, Carla just rolls-eyes and says "whatever..." when Ricky (once again ...) doesn't seem to want to follow directions (from his sister ...) and walk home with her and her friends after school ... and the rest of the movie follows ...

Ricky, of course, doesn't come home.   Where did he go?  Well, he's 13, "in his own world," but it's not a completely unfunctioning world.  He gets distracted, or more to the point, fixated on things.  Some guy walked by with a random but perhaps somewhat striking emblem on the back of his jacket and Ricky, fixating on the emblem, decides to follow him.  The guy goes to the subway station and Ricky follows him there.  When the guy enters to pay his fare to get past the turn-styles and head then to the trains, Ricky REACHES INTO A POCKET IN HIS OWN BACKPACK, gets out the required change, pays his own fare and follows him down to the platform.

Then, in the midst of all the people, of course, he loses the guy.  BUT now he's in a subway station WITH ALL KINDS OF PEOPLE and ALL KINDS OF RANDOM THINGS TO TURN ONE'S ATTENTION TO.  AND so Ricky gets on a random subway train, heading off in a random direction, following something new that attracted him, until he forgot about it again, and found something else to focus on ...  AND ALL THE WHILE, TO ANYONE TRAVELING THE SUBWAY BESIDE HIM, he's just another random, perhaps after a while, somewhat tired, 13-year-old traveling _somewhere_ on the train.

So Ricky doesn't come home.  What to do?  Mom goes searching for him, first in the neighborhood.  She goes to the beach.  He used to like the beach, the waves, the sounds, the occasional seagull, etc.  He wasn't there.  She walks down the street, checking various stores in the neighborhood, stores that he'd previously like (there's a corner shoe-store that he had previously liked for all the random colored sneakers ...).  He's not there.  She spends the night looking for him, can't find him.

The next day, she realizes that she has to call the police.  She doesn't particularly want to, presumably because either she or her husband were illegal.  It doesn't matter really because the police tell her that they won't do anything for the FIRST SEVENTY TWO HOURS because the kid could just be going to his father or perhaps to some other relative.  They usually turn up, after SEVENTY TWO HOURS (three days (!)) they'd truly be missing.

Seventy two hours pass ... then Hurricane Sandy starts to roll in ... What happened?

Excellent story and one that could happen TO ANY FAMILY with a special needs child in a big city.


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As it is in Heaven [2014]

MPAA (UR would be PG-13 / R)  ChicagoSunTimes (3 Stars)  RE.com (3 Stars)  Fr. Dennis (3 Stars)

IMDb listing
ChicagoSunTimes (B. Stamets) review
RE.com (S. Abrams) review


As it is in Heaven [2014] (directed by Joshua Oberbay screenplay by Virginia Oberbay) is a reasonably well crafted if somewhat tendentious low-budget indie film / cautionary tale about a small Christian-messianic sect/cult/community.  It played recently at Chicago's Facets multimedia.   

It all begins innocuously at the (sect/cult/community) leader's farm somewhere in rural Kentucky.  Though already "a bit off the beaten track," one would imagine that even if one were to happen upon it, one would not necessarily see anything "strange" about it.  There's a farm house, there's some pasture, some of which is cultivated into a field or two, some woods, a small stream running by.  Only if one spent some time observing could one have discerned that there seemed to be more than one family living in said farm-house.  HOWEVER even then, the sect/cult/community was NOT that large -- perhaps 10 maybe 15 people, no more.  And the deed to the land, if one were to have the interest to look it up, would have probably list the sect/cult/community leader as its owner as it probably was in his family perhaps for generations.

The locals would probably know the group's leader, Edward was his name (played by John Lina), as a preacher.  The group did apparently have something of a church or "mission" at a strip-mall at the outskirts of town.  The locals would probably know that "some from the congregation" apparently have taken-up residence on his farm, but they probably would not have made anything of it.  He was "preachin' the word," his group was "helpin' the homeless" "baptizin' the previously lost" and doing so in a way that would be UTTERLY INDISTINGUISHABLE from ANY NUMBER OF "LITTLE STORE FRONT CHURCHES" both in the hinterlands (and in the inner cities) across the U.S.A. today.

Let me add one more bit of information, Edward himself was probably NOT EVIL.  He had devoted his life to Jesus.  He had opened his doors to the poor.  He had given a little community that sprang up around him hope and some joy.  They WERE living in their little corner of our Earth "As it is in Heaven" (Matt 6:9-15).

So what went wrong?

Well, for whatever reason and _not unlike_ a lot of fundamentalist preachers (at least at some point in their lives) Edward became convinced (and quite suddenly) that the world was, indeed, going to end and ... end quite shortly.  We hear him telling his group, at a nice, matter-of-fact "community meeting" or perhaps "Bible study" that "Who would have guessed that Jesus was going to return in just 30 days?"

Now if nothing else happened, 30 days would have passed and ... nothing would have happened ;-) ... and Edward and his little community would have happily gone on, writing off those "30 days of End Times" as a "misjudgement" on the part of their leader.  And if he insisted on pushing the matter further, then the group would have probably broken up.
 
But that didn't happen here.  Why?  Well, some hours after announcing quite calmly to the group that the world was going to end in 30 days, he himself has heart-attack... BUT ... he does not die right away.

Instead, he lives long enough (hours more) to "anoint" a member of the group, David (played by Chris Nelson), as his successor.  More troublingly, he _burdens_ David with the responsibility of "getting the group ready" for Christ's coming in 30 days.  Remember, Edward found himself _suddenly_ on his death bed.  He didn't have a lot of time to give David instruction.  He just tells him, "YOU HAVE TO GET THEM READY.  I DIDN'T HAVE THE TIME.  NOW IT'S GOING TO BE UP TO YOU. ... IF THEY ARE NOT READY, CHRIST WON'T COME FOR THEM."   And these turned out to be Edward's last words to ANYBODY.  A few moments afterwards, Edward slips into unconsciousness and dies shortly thereafter.

Now David was a relative neophyte.  In the opening sequence in the film, we saw him being baptized and entering the group only one year earlier.  Now became clear that Edward saw in him qualities that he didn't see in HIS OWN SON named Eamon (played by Luke Beavers) who was also David's (mid/late-twenties) age.  Now Edward left David in charge.

But ... there are some rather obvious problems here:  (1) How prepared is David, still something of a wide-eyed 20-something neophyte, TO LEAD the group?  and (2) Because David is a relative neophyte, will the rest of the group, including Edward's own family (especially Edward's oldest son, but presumably also Edward's widow, the mother of Edward's oldest son) going to accept David as Edward's anointed successor?  Remember, this is not a large group, 10-15 people of which Edward's family (his widow, his children, even Eamon's presumed wife or girlfriend, with a baby) still makes up a substantial part.  And remember the whole group is even still living on Edward's (family's) presumed farm.

BUT ...Edward's last instructions to them were, first (to the group) that Jesus was coming in 30 days, and second (to David) that David needed to "get them ready."  SO ... if the clock weren't "ticking," perhaps some of the groups problems would have naturally resolved themselves.  Now, since there were only 30 days left anyway, arguing over actually who "owns the farm" on which the group lived probably seemed rather "beside the point."

SO ... the group seemed to largely give David (as Edward's successor) the benefit of the doubt.  What's 30 days, right?

BUT ... How exactly does one PREPARE for Christ's coming in a way that would be substantially different from how the group had already lived?  (Remember that Edward told David that the group _wasn't_ ready and that DAVID had to MAKE THEM READY in those 30 days).

Seems like "drastic actions" were called for ... So wide-eyed, in over-his-head but sincere 20-something David ... calls for a 30 day Fast.  That would get the group ready and heck "Fasts" were even Biblical.  Right?

Well, but there's also a baby in their midst ..., there _is_ under-the-immediate-surface division in the group and, finally, Edward was venerated by the group as not merely a Prophet but ALSO "a nice guy" ... HE never called a fast ... but then HE told David that David needed to get them ready ...

The rest of the film ensues ...

I found the film fascinating, and yes, it can serve as a cautionary tale about "messianism" and "apocalyptic" thinking.

But I also think that there were a number of circumstances written into the story here that drove its outcome.   If Edward had not died in the circumstances that he did, then the rest of the story would have played out very differently.  It the group did not have to simultaneously deal with both Edward's somewhat surprising choice of successor AND "prepare for the imminent end of the world," then the story would have played out very differently.  

The film's main message becomes "bad things happen when decisions are made in a pressure cooker,"  which is absolutely true.  The way out of making "bad decisions in a pressure cooker" is to look for ways to "slow things down" so as to _deescalate_ the situation.  And that would have worked for this little Christian community living in the rolling hinterlands of Kentucky, just as it did work out for the whole world during the 1962 Cuban Missile Crisis ... 


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Hercules [2014]

MPAA (PG-13)  CNS/USCCB (A-III)  ChicagoTribune (3 Stars)  RE.com (1 Star)  AVClub (B-)  Fr. Dennis (3 Stars)

IMDb listing
CNS/USCCB (J. Mulderig) review
ChicagoTribune (M. Phillips) review
RE.com (O. Henderson) review
AVClub (I. Vishnevetsky) review

As derivative as Hercules [2014] (directed by Brett Ratner, screenplay by Ryan J. Condal and Evan Spiliotopoulos, based on the Radical Comic [wikip] "Hercules: The Thracian Wars" by Steve Moore [IMDb]) may seem -- the film's basically the Schwarzenegger starring Conan the Barbarian [1982] crossed with 300 [2006], with homages to The Gladiator [1986], the Liam Neeson costarring Clash of the Titans [2010] remake and the "band of brothers in arms" of the recent Marvel Comics' inspired Thor [2011] thrown into the mix -- I found it to be a fun speculative (and certainly revisionist...) inquiry into the origins of the Hercules legend ;-).

For the film plays with / hangs on a great question: How would the story of a hero like Hercules begin?  There would have to have been SOME fighter/hero that would first catch a storyteller's (and more importantly AN AUDIENCE'S) interest.  Now what if the Hero began life (or the storyteller made him) "an orphan"?  How much greater the Hero's accomplishments would seem if he began life "on the mean streets of ancient Athens" ;-) -- a sort of Homerean Rocky Balboa ;-).  Then, well, if he's an orphan, it's not really a big jump (in the ancient world anyway) to posit that his father was "a God" (Indeed, this would help explain the Hero's surprising abilities).  Then, in Greek Mythology, the Awesome "King of the Gods" Zeus had a very jealous wife, the Goddess Hera (the to this day remembered as the Greek Goddess of HEARTH and Home ...).  So even though this child, who grew-up to be Great was the son of a God, there's EVEN a ready explanation of why his beginnings were so terrible: he was being punished by Zeus' wife Hera ;-).  Why once one starts along this path, the story practically writes itself ;-)

Now what if, as a story teller begins to build Hercules' LEGEND, he decides to CONFLATE the various heroic stories of other local heroes.  What's the sense of having 10,000 stories of various local heroes when you can have ONE SUPER-HERO.

Now -- and this is the jump / genius of the current story -- what if we "misunderstood" the Hercules legend to think that there was ONE Hercules (sort of like a ONE SUPER GENIUS Thomas Edison or a ONE/ULTRA-UNIQUE Steve Jobs).  What if a better conception of thinking of Hercules would be that of thinking of him as Hercules, INC -- A TEAM OF FOLKS doing all kinds of SPECTACULAR THINGS under THE BANNER of "HERCULES" (and not minding that perhaps Hercules got a little more credit -- like Thomas Edison getting "credit" for inventing 10,000 things when he actually "invented" the modern engineering workshop (where he hired teams of scientists/engineers to do the "realization work" for him), or Steve Jobs getting "credit" for everything from the Apple 2 computer to iTunes to the iPhone/iPad, when again there was _an entire corporation_ built around his ideas to bring them to reality.  Now, why would "the underlings" not mind?  BECAUSE THEY GOT PAID, THEY DID THEIR WORK AS A JOB).  So what if "Hercules" was like that?  Perhaps he was "the guiding inspiration' to the Legend, BUT ... his various "labors" were actually DONE BY A TEAM (a Hercules, INC as it were) and if one pushed things even further, even his "12 great labors" were a perhaps little spruced up by his PR folks (in the film, PR person) to make them seem a little more "awesome" than they actually were ... what's a little "stretching the truth" to "make a sale" ;-)

Isn't this fun? ;-)

And so it is ... in this film, we follow a smiling, "showman" Hercules (played spot-on for this task by ex-pro-wrestler (!) Dwayne Johnson) donning his lion skin (from "his" famous "labor" of killing of the Neomean Lion) and sporting his trademark CLUB, while his work is done, yes, PARTLY by him, but ALSO by a pretty good _team_ behind him, including:

His childhood BFF Autoclutus (played by Refus Sewell), who like Hercules was ALSO "AN ORPHAN" who knew Hercules from "mean streets of Athens days" (and in Greek Mythology, was ALSO to have had a divine father, in his case Hermes).  Being "awesome fighters" they were sent by the King of Athens on all sorts of Ancient Greek "special ops" missions (some of which came to be remembers as part of the above mentioned "labors of Hercules/  And eventually, they ditched the Athenian army and came to found an Ancient Greek "Blackwater-like" group that that they decided to call Hercules (since by then he had "gotten a name").

Along the way they also took on:

Amphiaraus (played by Ian McShane) in greek legend remembered as a seer / prophet, who in the group, played a sort of "older wisdom figure role" who kept the "young bloods in line," kept them focused "on the bigger picture" and so forth,

Atalanta (played by Ingrid Bolsø Berdal) portrayed here Amazonian huntress who they met on one of their "labors" / "special ops,"

Tydeus (played by Eksel Hennie) portayed in the film as a somewhat feral fighter, one who Herc and Autoclutus found as "the sole survivor" or a village that had been destoryed by some ancient Greek monster in some way,

and finally, Iolaus (played by Reece Ritchie) both in the film and in Greek mythology remembered as Hercules' nephew (and companion on various of his labors).  In the film, he plays the group's principal "PR man" spinning the fame of Hercules in a way to get the group more work.

And so it is that in the film they do find a new "gig" ... to help the King of Thrace (played by John Hurt) rout a rebellion led by a certain Rhesus (played by Tobias Santelmann).  Much "sand and sandal" combat and intrigue ensues ...

All in all, while the violence of the film would probably not make the film suitable for little children, the PG-13 rating is probably appropriate.  And I found the movie a refreshing blast.

I liked the story, I liked the characters.  They brought Greek Mythology to life in a way that I have to say was, after all is said and done, _surprisingly_ original!  Honestly, good job!


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Lucy [2014]

MPAA (R)  CNS/USCCB (L)  ChicagoTribune (2 Stars)  RE.com (3 Stars)  AVClub (B+)  Fr. Dennis (3 Stars)

IMDb listing
CNS/USCCB (J. Mulderig) review
ChicagoTribune (M. Phillips) review
RE.com (M. Zoller-Seitz) review
AVClub (I. Vishnevetsky) review


Lucy [2014] (written and directed by Luc Bessen) is an appropriately R-rated (for violence / drugs) film about limits and transcendence and the limits to our (human) ability to transcend, well, our limitations.  Yes, I wrote that sentence in that way on purpose ;-).  So while the film definitely ought to give parents pause as they discerned whether or not they really wanted their teenager to go to see it, it could be very good fodder for college aged young adults as they pondered the questions of limits and transcendence of them.

Transcendence is, of course, an age old religious theme.  In Christian anthropology, we're told that we have a mortal body and a transcendent, that is, eternal soul (our body dies but a part of us does remain).  The quest to transcend the limits of our human nature -- again, in Christian anthropology we're told that we were made "in the image of God" (Gen 1:27) but that, obviously, we are _not_ Gods -- is again an age old quest.  Yet it often leads to bad, that is, sinful decisions (The story of the Fall from the Garden of Eden in Genesis 3, is in fact, a story of seeking to transcend the limits of our human nature, that is, a story of _transgressing_ divinely imposed limits to our human nature to in a quest to "become like Gods.")

But as times change, new situations and new temptations arise.  Okay, our bodies will eventually fall apart (we'll die).  But what if we could "upload our minds" onto a computer / the internet?  Could we attain a certain physical immortality that way?   That's the idea behind the recent Johnny Depp / Morgan Freeman vehicle Transcendence [2014]. 

Or putting aside rather ultimate quest for immortality, could we set-aside the limits of our mind by consuming some mind enhancing drug?   Athletes have been tempted to inject and ingest various performance enhancing drugs.  Could a similar enhancement of the mind be accomplished through the injecting/ingesting of a "mind enhancing drug" as well?  That's then the idea behind the recent Bradley Cooper vehicle Limitless [2011] and the film considered here.

So then the current film, Lucy [2014], the name taken from the one given to the 3.2 million year old  Australopithecus skeleton excavated in Ethiopia in the 1970s and is posited to be the oldest skeleton of a human ancestor to be found to date, is about a similarly "random"/yet representative human woman of today named Lucy (and played quite marvelously in wide-eyed/often terrified "method acting" fashion by Scarlett Johansson) who by circumstance (really as a result of some fairly bad, yet seemingly random/banal choices ... she could have been ANY _largely "unthinking"_ contemporary American "party girl") finds herself at a rather AWESOME crossroads in human history.

What did she do? Or perhaps more appropriately, what did she find herself getting herself into?  Well through a really, really "bad choice" of a random hook-up presumably at some party somewhere, she finds that her new beau was a random two-bit courier for a Taiwanese drug-dealer and ... one thing leading to another, she finds herself, after being knocked-out/pistol-whipped by one of said Taiwanese drug-dealers, waking-up having had a bag of a bluish crystalline "wunder-drug" sown into her abdomen, which she was being "asked" (mafia style...) to help smuggle (as a "drug mule") into Europe where the drug gang was expecting to make a killing selling said "wunder drug" to "looking for the next high" Euro-youth.  When one of her drug-gang/captors tries to make a pass at her the night before she was going to be put on a flight to Europe, she resists, and he kicks her abdomen ... presumably making the bag inside her "begin to leak" ...

After this rather horrifying decent into a quite imaginable terrestrial Hell, the story really begins.  Perhaps to no one's surprise, the drug leaking inside of her "messes with her mind" (after all, that was its whole point and why the drug gang was expecting to make money off of it).  However, what becomes surprising is HOW the drug "messes with her mind" ... it appears to "unlock" the mind's potential. 

For parallel to the story of random American party girl Lucy's descent into lots and lots of trouble out in Taiwan, we hear another American, a neuroscientist (played by Morgan Freeman), giving a lecture to American college students about the "evolutionary limits of the human mind."  He notes that humans only use about 10% of their brain's potential, that this is more than the average animal's brain use  (though apparently dolphins use 20% of their brain's potential, allowing them the added sensory ability of "echo-location").  He asks the question, "What could happen if we came to use 20, 40, 80 or even 100% of our brain's potential?"  adding "When will we move-up 'the dial' of evolutionary change and enter into the realm of revolutionary change?"  Little does he know that even as he is speaking, there's a previously random/average American party girl out in Taipei, Taiwan who's injested a drug that's done exactly what he's been talking about ... broken down whatever limits preventing the human mind from using all 100% of its potential.

So back to Lucy ... Finding herself suddenly WAY SMARTER (and more capable, in surprising new ways...) than her captors, she quickly finds her escape from the drug dealers.  She also realizes that she's ingested an UNCONTROLLED (and probably WAY-OVER-ANY-LIMIT) amount of this mind altering drug.  So she realizes that she's living on borrowed time.   Frantically (and yet, thanks to the drug, also quite capably...) she looks up the above mentioned neuroscientist and ... asks for his help.  The rest of the movie, at a frenetic pace, follows...

Again, this film is clearly not one "for kids" or even "for teens" (who might be tempted to play with drugs in various stupid manners ...). 

However, the movie does actually ask a very interesting question: If you found yourself in the situation of Lucy (no matter HOW she/you got there) and you knew that you've been given some very special abilities EVEN AS "THE CLOCK WAS TICKING" and YOU'D PROBABLY DIE AS A RESULT ANYWAY, what would you use those special GRACED moments / abilities for?  And what would you like to leave behind?

Again, this film is about limits and transcendence and the limits to our ability to transcend our limits ;-)

Great stuff to think and argue about for a bunch of 20 year olds ;-)


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Walking the Camino: Six Ways to Santiago [2013]

MPAA (UR would be PG)  ChicagoTribune (2 1/2 Stars)  Fr. Dennis (3 1/2 Stars)

IMDb listing
ChicagoTribune (S. Merry) review
Spirituality & Practice (F & M.A. Brussat) review

Walking the Camino: Six Ways to Santiago [2013] (directed by Lydia Smith) is the second film, this time a documentary, about the experience of walking the traditional 500 mile pilgrimage route The Camino (Way) of St. James from the French side of the Pyrenees across much of picturesque northern Spain (Galicia) to the Cathedral Shrine of St. James at Santiago de Compostela, the other film was The Way [2010] starring Martin Sheen and written / directed by his son Emilio Estevez (reviewed on this blog when it came-out as well). 

The countryside is lovely, the Camino is full of history.  The question that can fairly be asked is "How 'Catholic' does 'Walking the Camino' remain?"

And it could be said that "Walking the Camino" today would fall in the realm of "Religion Light."  Of the six people that the film follows, only one (a young clearly devoted French mother with a Rosary ever either in her hand or around her neck, who embarks and completes the entire Camino with her three year old (often in a stroller) in tow), maybe 1 1/2 (there's an older Episcopalian priest who's followed in the film as well as he and a friend walk it on behalf of his wife who passed away a few years back) seem(s) to begin the journey for any explicitly religious purpose. 

Yet, having said this, I do agree with the smiling Spanish Bishop (one of three spiritual consultants to the film, all Catholic) interviewed quite extensively in the film who assessed: "One may start the Camino as a tourist, but just about everyone ends it as a Pilgrim."  Why?  It's just too hard to do this trek otherwise.  It's just too much of an investment in terms of time (6-8 weeks), sweat/blisters, and (if one really wanted to do this entirely secularly) money to not become grateful for the generosity / hospitality of the MANY, MANY Catholic convents / hostels that open their doors to the pilgrims along the way.

Now don't get me wrong.  I know there are would-be ingrates out there (and I've personally known ingrates out there).   But there are a lot more easier ways to HATE THE CHURCH than to walk 500 miles constantly running-into tired but smiling people, who DON'T hate as much, to do so ;-).

And there are some lovely life-lessons that one learns along the Way: (1) No one ends this trip "alone."  Even though several of the people followed in this film BEGAN their journey expecting (even hoping for) Solitude ... it just becomes so much easier to complete it with friends found along the way.  (2) Even today, with all our advances in technology, the 500 mile journey bests the best of footwear.  Part of the journey for EVERYONE appears to be putting-up with / accepting "blisters" along the way.  (3) We really DON'T NEED a "lot of stuff."  Almost EVERYONE finds that they've "over packed."  And as people INEVITABLY _come to share_ what they've packed with those they meet along the way EVERYONE seems to find that they can get by with MUCH LESS than they started out with.  (4) The Camino made here in 2-3 months, is really symbolic of (a metaphor for) the Camino that EVERYONE does over the course of one's life (That last insight comes from one of the _initially_ most secular minded people followed in the film).

As such, I did find the movie inspiring.  In younger days, and with more time, I'd be tempted to do this kind of a journey as well.  BUT I don't have to do everything ;-) ... Still I would encourage those who are young(er) and with some time ... to take a look!  It looks like a great way to spend a summer, and I do believe it would be an experience that would change / stay with one for the rest of one's life!  Good job!


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Boyhood [2014]

MPAA (R)  CNS/USCCB (L)  ChicagoTribune (4 Stars)  RE.com (4 Stars)  AVClub (A-)  Fr. Dennis (3 1/2 Stars)

IMDb listing
CNS/USCCB (J. McAleer) review
ChicagoTribune (M. Phillips) review
RE.com (M. Zoller-Seitz) review
AVClub (A.A. Dowd) review

Boyhood [2014] (written and directed by Richard Linklater) is a remarkable 12-year wonder that in a Best Picture field of potentially as many as ten films will _certainly_ deserve at least a nomination for Best Picture at the Oscars for this year with possible director and original screenplay nominations as well (and the four core acting performances weren't bad either ;-).  So what the heck did Linklater do to deserve such praise? ;-).

Well this GREAT storyteller (or at least a storyteller with a GREAT IDEA) decided to assemble a core cast to play members of a family -- the mother, Olivia (played by Patricia Arquette), the father Mason, Sr (played by Ethan Hawke) and their two children Samantha (played by Lorelei Linklater the director's own daughter) and Mason, Jr (played by Ellar Coltrane) and THEN BRING THIS CAST TOGETHER FOR A COUPLE OF DAYS EVERY YEAR FOR TWELVE YEARS TO TELL THE THEIR STORY OVER TIME.  Film's primary focus is Mason, Jr, hence the film's title "Boyhood."  However, it's obvious as this story plays out that ALL THE CHARACTERS ARE growing / changing as well.  Indeed, part of the film's multifaceted reflection on "growing-up" would be that NO ONE "grows up" in isolation, Instead, we all grow-up / change together.

Yet the story told, is NO "Sentimental Journey."  When we meet the characters, mom and dad in their mid to late 20s (Sam and Mason, Jr  are seven and six respectively) are fighting.  Like many a parents, they "married early." We (viewers) immediately suspect that they chose to do so far more by the circumstances that they found themselves in than by choice (We get more info, ever age appropriate, about the circumstances of the parents' meeting / marriage as the kids grow older ;-).  And indeed, by the end of that first years' segment, Olivia's had enough of her still immature / directionless husband.  So she packs her kids in the car and moves back to her mother's (Olivia's mom played by Libby Villary) in Houston.

The story recommences a couple of years later with Olivia, Sam and Mason, Jr still living somewhere in the Houston area.  Olivia's found them all an apartment, has been holding down a job and going to community college.  Sam and Mason, Jr have settled in at their new school.  And dad's come back for the first time in 1 1/2 years, having spent the time in between "up in Alaska."

What was he doing "up in Alaska?"  Well, he tells Sam (when she asks) that he spent much of it working on a boat possibly as part of a commercial fishing enterprise, along the lines of the life portrayed on The Deadliest Catch [2005-]).  Now what would a Texan be doing on a commercial fishing vessel?  It probably wouldn't be his first choice.  However, Texas is an "oil rich state" as is Alaska.  So one would suspect that a fair amount of young men without particularly large skill sets to travel between the two states looking for work in one or the other state's oil fields.  Then when "up in Alaska" if working on a commercial fishing vessel proved to to pay better, well ... However, dad also tells Sam "to tell mom" that he's on his "second actuarial exam" (looking to get a job in insurance, now that he's back in Texas again).

If there was any hope on the part of Mason, Sr (and the kids) that he and mom (Olivia) could patch things up, that's unsurprisingly quickly dashed.  Mom's got other plans.  She's studying psychology (in good part, no doubt, trying to figure herself out).  And as she starts to feel better about herself, she starts looking for a "more responsible man."

Over the years that follow, we find her in two relationships.  The first was with a Psychology Professor (named Bill Wellbrook, played by Marco Parella) who was also divorced, also with two children of Sam's and Mason, Jr's age.  She even marries Professor Bill for a while before she runs into his own demons.  Later after she herself finishes grad-school and becomes a Psychology Prof, she enters into a relationship with a returning Afghan war vet named Ted (played by Stephen Prince).  Both of these men were perhaps "more responsible" than her original husband, but end up having multiple issues of their own.

In the meantime Mason, Sr, "grows up" as well.  Though not much of a dad, except perhaps "fun to be around" when Sam and Mason, Jr were kids, he starts to make more sense (and even gain some wisdom) by the time they enter high school.  During those years, he also marry again (probably by knocking-up his girlfriend again...).  However this time, he seems to be more capable of being a responsible husband than in his first marriage.  (His second wife's parents are a gas.  Again, they're all Texans. So for Mason, Jr's 16th birthday, step-grandma buys him a Bible "with his name engraved on on the frunt" and step-grand-dad gives him the gun he received from his grandpa when he was young.).

At a point, during this part of the story, Sam asks in playful, eye rolling fashion "Dad, you're not going to become one of those 'God people' now?"  He smiles / shrugs, AND his new wife RESPONDS WITH EQUAL PLAYFULNESS from a distance, "Hey guys, you know I can hear you two!"

I know that a number of readers here might be taken aback by this incident and perhaps even be offended THAT I WAS NOT OFFENDED BY IT (see the CNS/USCCB's review of the film, though in fairness what else could the reviewer write about that incident in the film?).  However, I found this episode amusing, REAL and KIND.  (I could add that it's obvious that Mason, Sr.'s new wife was NOT CATHOLIC but of a more fundamentalist Protestant bent).  However, I saw GROWTH in the dad's (Mason, Sr's) reaction to it all.  In earlier times he was far more opinionated / judgmental.  (Interestingly, though a Texan, he was shown earlier in the story as hating Bush/Cheney and was shown later campaigning (though never-altogether seriously) for Obama / Biden).  Here, some years later, he was accepting the religious convictions of his new wife and her family and was willing to be open to the possibility that he _could learn something from them_.  IMHO, that's a BIG STEP, from the arrogant certainty of ignorance to the coming to the realization that one could learn from others.

The last part of the film, involves Mason, Jr's teenage years.  Various potential "male role models" vie his attention -- there's his mother's Afghan war vet, now corrections' officer, boyfriend (yup, he's badge-carrying "responsible"), there's his photography teacher who wants him to "bear down and do his assignments: rather than "simply follow his bliss" (Mason's Jr's becoming a fairly good photographer), and there's his boss at a random fast food place where he's got a job who's trying to teach him discipline as well.  Finally, of course, there's his own dad, who, (at least in this film) appears to prove that biology does have some sense to things after all.  Indeed, dad's "grown-up" / "matured" / "changed" along side his kids over the twelve years and IMHO proves to be Mason, Jr's best "wisdom figure" as Jr approaches adulthood, whatever his previous shortcomings may have been.

Honestly, folks, it all makes for a remarkable story and A GREAT PIECE FOR REFLECTION AND DISCUSSION AFTERWARDS.  What does it mean to "grow up"?  What are the trade-offs to the decisions we make?  And are we willing to accept that those around us are "growing up" and "changing" as well?  Great stuff!


ADDENDUM: I do have _one problem_ with the film.  In a movie that's mostly white, fairly late in the story a young Hispanic (person of color) is added marginally to the mix.  However, the character is treated so paternalistically that I wish he had been edited out.  He doesn't play a major role in the story in any case.  Yet, the story's treatment of him is such that it may actually offend many Hispanics (and other people of color) who otherwise might have liked the film without him.  This is why I'm giving the film 3 1/2 Stars rather than 4.  (With other films, I've been punishing in regard to their treatment of race than I'm here.  But I do think that there are so many good aspects to this film that I don't want to sink it on this account here.  Still, I do fully expect that a fair number of Hispanics will find the paternalistic treatment of the ONLY Hispanic (or person of color) in the film surprisingly tin-eared / offensive).


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Sex Tape [2014] / The Purge: Anarchy [2014] / Planes: Fire & Rescue [2014] / Wish I Was Here [2014]

As part of my contribution in our parish's participation in the Archdiocese of Chicago's Campaign "To Teach Who Christ Is," I've decided to forgo seeing (and therefore reviewing here) one or two movies a weekend and instead contribute the money I would have spent to the campaign.

I'm trying to be strategic about this, picking movies that would "hurt somewhat" to miss, that is, films that are not "so bad" that I wouldn't see them anyway nor movies that I really would need to see/review or else my blogging effort would cease to be worthwhile.

As per my custom, I will try to provide links to usual line-up of reviews that I also consider as I write my own.

This week I chose to not see:

Sex Tape [2014] - MPAA (R)  CNS/USCCB (O)  ChicagoTribune (1 1/2 Stars)  RE.com (1 1/2 Stars)  AVClub (D+)

The Purge: Anarchy [2014] - MPAA (R)  CNS/USCCB (O)  ChicagoTribune (1 1/2 Stars)  RE.com (2 Stars)  AVClub (B-)

Planes: Fire & Rescue [2014] - MPAA (PG)  CNS/USCCB (A-II)  ChicagoTribune (2 Stars)  RE.com (2 1/2 Stars)  AVClub (C-)

Wish I Was Here [2014] - MPAA (R)  CNS/USCCB ()  ChicagoTribune (2 Stars)  RE.com (3 Stars)  AVClub (C)


Some of these are fairly obvious choices (Sex Tape [2014] , The Purge: Anarchy [2014]) though I have reviewed and liked Cameron Diaz' Bad Teacher [2011] and saw (cautionary) value in last year's Spring Breakers [2013] as well the original The Purge [2013].  But I have to admit I found myself embarrassed getting a single ticket to Spring Breakers last year and expected a similar expecting a similar experience purchasing a ticket to see Sex Tape (and for what end?  Spring Breakers did have a point).  Then with regard to the sequel to The Purge, I honestly don't see what message could be added in the sequel above that already present in the original that would justify it's creation.

I decided to forgo seeing Planes: Fire & Rescue [2014] also as a protest but for a different reason.  While I somewhat grudgingly had to admit that Toy Story 3 [2010] was certainly "moving" at times, as a rule, I don't like the consumerist message under the whole Toy Story, Cars and now Planes franchises: "Kids things are 'people too.'"  No they are not and they are not even like "a pet" or "gold fish."  A computer, a robot, okay ... I can start to "play" with that idea (Even though as I wrote about the (appropriately R-rated) Her [2013] even in the case of a computer (or operating system) there are fundamental differences between human and human-made intelligences... most notably that a human-made artificial intelligence would almost certainly be "bundled with adware." ;-).  So I don't like films that try to make KIDS think that THINGS are "People Too."  THEY ARE NOT.

Finally, Wish I Was Here [2014] may actually not be a bad film about parenting (and parents' involvement in their kids lives).  I just don't feel an enormous desire to see the film that I suspect could be too "out there" for my own sensitibility.  And I'd prefer to "conserve my powder" for IMHO more compelling films.

Anyway, this week, I'm choosing forgo seeing a whole bunch of films and mostly for reasons of "lameness."  Hopefully, in the coming weeks there will be a better selection of new films to see.


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