Finally, Part 4 to my 2013 Denny Awards -- the "Pale Dennys"
(Other Years' Awards)
Part I - Best Films
Part II - Most Compelling Performances / Character Roles (Male)
Part III - Most Compelling Performances / Character Roles (Female)
Part IV - "The Pale Dennys" - Films about Hist Events Generally NOT taught in School
FILMS ABOUT HISTORICAL EVENTS THAT AREN'T GENERALLY TAUGHT IN SCHOOL
All Honorable Mentions:
Siberian Exile (orig. Syberiada Polska) [2013] - The first feature length film (Polish, w. Eng. Subtitles) about the as many 2,000,000 Poles who were deported from Eastern Poland east to Siberia after their lands were annexed by the Soviet Union as part of the Molotov-Ribbentrop Pact of 1939. A similar number of Lithuanians, Latvians and Estonians were deported East after these lands were annexed by the Soviet Union as part of the same agreement as well, and entire peoples (that of the Tatars from Crimea and the Chechens of the Caucususes were deported by Stalin in this way after Nazi Germany invaded the Soviet Union).
Aftermath (orig. Pokłosie) [2013] - Serves me right, the day after I write up this list of films, I see a film that certainly belongs on this year's list as well. A noirish (Polish, w. Eng. Subtitles) film based on the true story of the Nazi-era pogrom in the Polish village of Jedwabne where the Polish villagers themselves murdered the Jewish families of their community ostensibly to steal their land. The film serves to remind viewers that there millions of people across Europe who live in homes/property that did not originally belong to them or their families but belonged to others (Jews, Germans, Poles, the Church, "rich people" in general) prior to WW II. It's a really dark secret and it's a real mess.
Aluku Liba: Maroon Again [2009] - French language w. Eng. Subtitled film about the communities of descendents of run-away slaves existing to this day in the jungles of French Guiana and Suriname. The swamps, jungles and frontierlands of EVERY SLAVE OWNING COUNTRY IN THE WESTERN HEMISPHERE (including the United States) HAD SIMILAR COMMUNITIES of run-away slaves existing outside the reach of the authorities of slave owning lands. Most were either wiped-out by sweeps of the militaries of the slave-owning lands or became assimilated into the rest of society after slavery was abolished. In French Guiana/Suriname, these communities apparently have been so isolated from the rest of society that they continue to exist on their own.
Tlatelolco, Summer of 68 (orig. Tlatelolco, Verano del 68) [2013] - A Mexican (Spanish lang., Eng. subtitled) film, again the first of its kind, about the events leading-up to a Tienanmen-like Massacre of hundreds of students in Mexico City three weeks prior to the opening of the 1968 Mexico City Olympic Games. The authorities wanted a "peaceful Olympics" -- yup, they were as "peaceful" as a grave.
Burning Bush (orig. Hořicí Keř) [HBO-Europe Miniseries 2013] - A Czech lang., Eng. subtitled film / miniseries about the self-immolation of a Czech university student named Jan Palach in January 1969 in protest to the 1968 Soviet Invasion of Czechoslovakia. His death remained an open wound in that country until the fall of Communism twenty years later in 1989.
Gypsy (orig Cigán) [2011] and Papusza [2013] two films, one Slovak/Roma with English subtitles, the second Polish/Roma with English subtitles about the Roma (Gypsies), Europe's indigenous "darker skinned' people who have often been terribly treated by Europe's lighter-skinned majorities.
Wolfschildren (orig. Wolfskinder) [2013] - German film, English subtitled about the possibly thousands of young children left behind to fend for themselves sometimes for years behind Soviet lines after the Red Army overran what used to be German East Prussia. Many of the children found their way ON THEIR OWN to (also) Soviet occupied/annexed Lithuania were many rural Lithuanian families adopted them into their homes.
Philomena [2013] - about the abuses of the "Magdalene Laundries" run by Catholic nuns in Ireland up until recent times for mostly unwed pregnant teenagers. The Catholic nuns did not start these "Magdalene Laundries" in Ireland (the Protestants did, when Catholicism was still illegal there) but they did run them with gusto for far longer than anyone outside of Ireland would have imagined.
Dallas Buyers' Club [2013] - about the desperation of those infected by HIV in the early years of the HIV/AIDS crisis.
With You, Without You (orig. Oba Nathuwa Oba Ekka) [2013]
a Sri Lanken / Tamil film with English subtitles set in the context of
the aftermath of the crushing of the Tamil insurgency there.
The Reluctant Fundamentalist [2012] - A plea for understanding, made by a famed Indian woman director, based on a best selling novel by a Pakistani author and acted by some of Hollywood's top actors about the nuances/complexities of the War on Terror.
Shadow Dancer [2012]
- about the quite "dirty war" waged by British authorities in Northern
Ireland against the IRA during the "Troubles" there in the 1970s-1990s.
Viva Belarus! (orig. Żywie Biełaruś!) [2012] - a Polish/Belarussian, Eng. subtitled film about Belarus, where 1989 never really arrieved.
Dust (orig. Polvo) [2012] - A Guatemalan/German film (Spanish language with English subtitles) set in the Guatamalan countryside and regarding the aftermath of the genocidal counter-insurgency warfare that took place there during the decades of the Cold War (1950s-1980s) era.
Apaporis: In Search of One River (orig. Apaporis: En Busca del Río) [2010] - film both in English/Spanish (subtitled appropriately) about the indigenous peoples living in Colombia's portion of the Amazon Rainforest. Ironically, the drug wars and the FARC insurgency in Colombia served to protect the indigenous peoples of southern Colombia BETTER than more "peaceful" areas in South America.
<< NOTE - Do you like what you've been reading here? If
you do then consider giving a small donation to this Blog (sugg. $6
_non-recurring_) _every so often_ to continue/further its operation. To
donate just CLICK HERE. Thank you! :-) >>
Reviews of current films written by Fr. Dennis Zdenek Kriz, OSM of St. Philip Benizi Parish, Fullerton, CA
Saturday, January 4, 2014
Friday, January 3, 2014
2013 Denny Awards - Pt 3 - Most Compelling Performances (Female)
Part 3/4 of my Annual "Denny Awards" ;-)
(Other Years' Awards)
Part I - Best Films
Part II - Most Compelling Performances / Character Roles (Male)
Part III - Most Compelling Performances / Character Roles (Female)
Part IV - "The Pale Dennys" - Films about Hist Events Generally NOT taught in School
CHILD (female)
Most Compelling:
Idena Menzel and Kristen Bell voicing Elsa and Anna in Frozen [2013], just a lovely story about two sisters growing-up together and trying to look-out for, protect and understand one another.
Honorable Mentions:
Annie Rose Buckley as Ginty Hoff in Saving Mr. Banks [2013] growing-up at the turn of the 20th century in rural Australia in an alcoholic household. She knows something is wrong, tries really hard to be good / helpful, and can not yet understand that the situation's really outside of her control and when it inevitably ends tragically it's simply not her fault (what a sad, sad story ...).
Sophie Nélisse as Leisel in The Book Thief [2013] growing-up in an adoptive household in Nazi Germany. When her adoptive parents choose to take-in and hide the 20-something son of a close Jewish friend of theirs, her adoptive parents tell her that she simply can not tell anyone that they are hiding him. Imagine being a 10-12 year-old, in a still somewhat strange household, and given that kind of responsibility.
TEEN (female)
Most Compelling:
Jennifer Lawrence as Katnis Everdeen in Hunger Games: Catching Fire [2013], teenage heroine in the series, continually needing to "step-up" to defend her and her people's humanity in a world where life for most has been turned into a sick game.
Honorable Mentions:
Saoirse Ronan as Melanie in The Host [2013], teenager finding herself in a very interesting situation. Her soul's been displaced by an alien lifeform that's taken over control of her body, but she's kinda made peace with the alien soul that's now within her. On the other hand, when that alien soul kinda likes the same guy as she did, what then? A very complicated teenage metaphysical story here ;-)
Lorena Guadalupe Pantaleón Vázquez as Lore(na) in Aquí y Allá [2012], the teenage daughter of the humble Pedro and Tere(sa) growing up in rural Guerrero, Mexico and the one who is most challenging to her father when he periodically leaves for "Up North" to go to work in the States. "What about us?" What about us indeed ...
Katie Chang, Emma Watson, Claire Julian and Taissa Farmiga along with Israel Brousssard (male) in The Bling Ring [2013] portraying "celebrity culture gone amuck." Based on the all too true recent story, to get "close" to their favorite Hollywood celebrities, these Southern-California teens begin to break into the homes of their favorite celebrities to steal their stuff. Of course they eventually get caught AND SERVE SIGNIFICANT TIME but how were they able to get away with this at all? Didn't their parents "miss them" when night after night they (teens afterall) came home "late" from partying / said robberies...?
YOUNG ADULT (female)
Most Compelling:
Greta Gerwig as Frances in Frances Ha [2013], who despite all the (social and economic) disasters in her life keeps smiling hoping/believing that her day will come.
Honorable Mentions:
Lake Bell as Carol in In a World ... [2013] a Hollywood voice coach / voice-over specialist trying to make her way "in a world ..." dominated by males, including her own father, who don't see the need for female voices in their line of work. But what happens when even SciFi (think of the Hunger Games...) starts targeting female audiences ...? Well "in that world" she starts getting jobs ... and respect ;-)
Keri Russell as Jane Hayes in Austenland [2013], an unabashed "I <3 Darcy" New York residing Jane Austen fanatic who shells out a good part of her still relatively meager life-savings to go on a 2 week Jane Austen immersion experience at a country estate somewhere in England, where she learns a bit about the realities of "Country Manor Life in the early 1800s" (shelling out a few grand for a vacation doesn't exactly make you "landed gentry" ;-) and has to confront what is real and what is imaginary in her own life.
Gail Mailman, Jessica Mauboy, Shari Sebbens and Miranda Tapsell playing the 1960s-era Australian "girls group" named as the film The Saphires [2013]. Based on a true story, these girls, all from "Aboriginal families" from the "Outback" had the time of their lives singing Motown tunes to American service personel in Vietnam during the War there even as the Australian Constitution at the time didn't even recognize them as people. A truly uplifting/poignant story (even amidst RPG and mortar fire) about the need to "make a Life" out of what one is given. These young women could have been depressed and bitter about their circumstances. Instead they sang even in the midst of a shower of bombs (which were falling around them for reasons that had _absolutely nothing to do with them_). What a story!
Vanessa Hudgens, Ashley Benson, Rachel Korine and Selena Gomez in Spring Breakers [2013] playing college students all, who tell their parents/grandparents that they're going on Spring Break to "find themselves." Well what do they find? Absolutely nothing that is good ... but perhaps what is inevitable if Life is reduced to a hedonistic exercise of "use it or lose it" and "whoever dies with the most toys wins." One scary, scary morally depraved movie.
ADULT (female)
Most Compelling:
Mavis Fan as Lan Feng in Will you still love me tomorrow? (orig. Ming tian ji de ai shang wo) [2013]. An early/mid 30-something administrative professional in Taiwan, until the beginning of the story basically happy, married with a son, discovers that her loving, basically "nice guy" husband is actually / would prefer to be gay. What to do? The poignant question asked in the title of the famous 60s-era Motown song which she sings at one point with her friends at a Kareoke bar becomes the central question of the film.
Honorable Mentions:
Octavia Spencer as Wanda, the mother of Oscar Grant a random African-American 20-something male who was killed by BART police in the hours after New Years 2009 at Fruitvale Station [2013]. She was no nonsense tough with him when he was alive and, of course, wept for him when he so tragically died.
Jessica Chastain as Anabel in Mama [2013], raven-haired, tattoo sleaved "rocker" in a "punk girls' band," nevertheless "steps-up" to take care of two little nieces of her boyfriend when really have no one else to turn to.
Teresa Ramírez Aguirre as Tere(sa) in Aquí y Allá [2012], the wife who "keeps house" with the kids in rural mountainous Guerrero, Mexico even when her husband Pedro goes up North to the U.S. sometimes for years at a time to work to (ostensibly) support them. Quiet, kind, but she's also not dumb ...
Kirsten Dunst as Carolyn Cassady in On the Road [2013] and Kate Bosworth as Billie in Big Sur [2013], the responsible characters in the two Jack Kerouac's novels that were put on the big screen this year.
Ivana Chýlková as Erika in Perfect Days - I ženy mají své dny [2011]. A lot of readers here would probably not like this character much (I'm not sure I do ...) BUT most would understand her. At 40-something, she's made choices in her life, and made her share of mistakes. Now, not in any relationship, with few particularly good prospects on the horizon, she decides that what she'd really want is a baby. AND HAVING THE POWER TO DO SO (thanks to modern technology and a requisite donation of sperm ...) she gets herself pregnant. But even this choice is not free of consequences and doesn't go all according to plan ...
Cate Blanchett as Jasmine in Blue Jasmine [2013] the "Blanche of 'Streetcar Named Desire'" character in this film. What if poor, suffering Blanche (and her husband) had ripped-off her poorer relations in a Bernie Madoff like scheme prior to her landing, helpless and penniless, on their porch?
Sandra Bullock as NASA Mission Specialist Ryan Stone in the epic survival tale Gravity [2013]. Yes, it's never too late to learn to pray, and there is a place for God even in the midst of all kinds of high-flying human built technological wonders.
ELDER (female)
Most Compelling:
Judy Dench as Philomena Lee in Philomena [2013], simple woman, who had been terribly treated by both her family and later "the Nuns" when she became pregnant as a teenager in Ireland of the 1950s-early 60s. Wanting simply to know what happened to her son who she was forced to put-up for adoption, she nevertheless proved capable of forgiving what a lot of people would find very, very difficult to forgive. Yet, what else was she to do ... carrying around hate / resentment is a terrible burden. Honestly a great if painful example to folks on both simply "seeking the truth" and "letting go."
Honorable Mentions:
Emma Thompson as P.L Travers, the author of the Mary Poppins books in Saving Mr. Banks [2013]. Yes, she was a very difficult person to work with BUT as is often the case with "very difficult people," there was a story there as to why she became who she became.
June Squibb as the Matriarch in the dysfunctional family in Nebraska [2013], never outright mean, nevertheless by the end of the movie, one's left wondering if she had a single nice thing to say about anyone in the entire film ;-).
Anne Gee Byrd as the no nonsense grandmother in Zero Charisma [2013]. Yes, her middle-aged daughter had left her to raise her grandson, yes he himself wasn't going to amount to much as a result, but in the midst of not particularly great choices, she held her own and offered both of them a good example of how to how to live a good, honest and dignified life.
HERO / VILLAIN (female)
Most Compelling:
Greta Gerwig as Frances in Frances Ha [2013] in a year that celebrated _a lot_ of "bad girls" Frances' smiling persona in fact of all kinds of social and economic disasters in her life is such a more positive example.
Judy Dench as Philomena Lee in Philomena [2013], no one could possibly have blamed her if she had grown to be bitter in life, but she chose not to be.
Mavis Fan as Lan Feng in Will you still love me tomorrow? (orig. Ming tian ji de ai shang wo) [2013]. Faced with a very hard (and seemingly "out of the blue") situation at home in her marriage, she deals with the situation quite well and with a great deal of grace.
Honorable Mentions:
Jessica Chastain as Anabel in Mama [2013] the punk rocker who "steps-up" to take care of her boyfriend's nieces when they have no one else to turn to.
Jennifer Lawrence as Katnis Everdeen in Hunger Games: Catching Fire [2013] and Saoirse Ronan as Melanie in The Host [2013], the teenage heroines of the these two pulp-dramas put on the screen this year.
Cameron Diaz as Malkina in The Counselor [2013], one "tough as nails," scary-scary consort in the world of drug-lords/kingpins.
The teens / young women of The Bling Ring [2013] and Spring Breakers [2013]. No, not all choices are "equal," and even if one can "get away with it" one's choice can still be a bad/Evil one ...
< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
(Other Years' Awards)
Part I - Best Films
Part II - Most Compelling Performances / Character Roles (Male)
Part III - Most Compelling Performances / Character Roles (Female)
Part IV - "The Pale Dennys" - Films about Hist Events Generally NOT taught in School
CHILD (female)
Most Compelling:
Idena Menzel and Kristen Bell voicing Elsa and Anna in Frozen [2013], just a lovely story about two sisters growing-up together and trying to look-out for, protect and understand one another.
Honorable Mentions:
Annie Rose Buckley as Ginty Hoff in Saving Mr. Banks [2013] growing-up at the turn of the 20th century in rural Australia in an alcoholic household. She knows something is wrong, tries really hard to be good / helpful, and can not yet understand that the situation's really outside of her control and when it inevitably ends tragically it's simply not her fault (what a sad, sad story ...).
Sophie Nélisse as Leisel in The Book Thief [2013] growing-up in an adoptive household in Nazi Germany. When her adoptive parents choose to take-in and hide the 20-something son of a close Jewish friend of theirs, her adoptive parents tell her that she simply can not tell anyone that they are hiding him. Imagine being a 10-12 year-old, in a still somewhat strange household, and given that kind of responsibility.
TEEN (female)
Most Compelling:
Jennifer Lawrence as Katnis Everdeen in Hunger Games: Catching Fire [2013], teenage heroine in the series, continually needing to "step-up" to defend her and her people's humanity in a world where life for most has been turned into a sick game.
Honorable Mentions:
Saoirse Ronan as Melanie in The Host [2013], teenager finding herself in a very interesting situation. Her soul's been displaced by an alien lifeform that's taken over control of her body, but she's kinda made peace with the alien soul that's now within her. On the other hand, when that alien soul kinda likes the same guy as she did, what then? A very complicated teenage metaphysical story here ;-)
Lorena Guadalupe Pantaleón Vázquez as Lore(na) in Aquí y Allá [2012], the teenage daughter of the humble Pedro and Tere(sa) growing up in rural Guerrero, Mexico and the one who is most challenging to her father when he periodically leaves for "Up North" to go to work in the States. "What about us?" What about us indeed ...
Katie Chang, Emma Watson, Claire Julian and Taissa Farmiga along with Israel Brousssard (male) in The Bling Ring [2013] portraying "celebrity culture gone amuck." Based on the all too true recent story, to get "close" to their favorite Hollywood celebrities, these Southern-California teens begin to break into the homes of their favorite celebrities to steal their stuff. Of course they eventually get caught AND SERVE SIGNIFICANT TIME but how were they able to get away with this at all? Didn't their parents "miss them" when night after night they (teens afterall) came home "late" from partying / said robberies...?
YOUNG ADULT (female)
Most Compelling:
Greta Gerwig as Frances in Frances Ha [2013], who despite all the (social and economic) disasters in her life keeps smiling hoping/believing that her day will come.
Honorable Mentions:
Lake Bell as Carol in In a World ... [2013] a Hollywood voice coach / voice-over specialist trying to make her way "in a world ..." dominated by males, including her own father, who don't see the need for female voices in their line of work. But what happens when even SciFi (think of the Hunger Games...) starts targeting female audiences ...? Well "in that world" she starts getting jobs ... and respect ;-)
Keri Russell as Jane Hayes in Austenland [2013], an unabashed "I <3 Darcy" New York residing Jane Austen fanatic who shells out a good part of her still relatively meager life-savings to go on a 2 week Jane Austen immersion experience at a country estate somewhere in England, where she learns a bit about the realities of "Country Manor Life in the early 1800s" (shelling out a few grand for a vacation doesn't exactly make you "landed gentry" ;-) and has to confront what is real and what is imaginary in her own life.
Gail Mailman, Jessica Mauboy, Shari Sebbens and Miranda Tapsell playing the 1960s-era Australian "girls group" named as the film The Saphires [2013]. Based on a true story, these girls, all from "Aboriginal families" from the "Outback" had the time of their lives singing Motown tunes to American service personel in Vietnam during the War there even as the Australian Constitution at the time didn't even recognize them as people. A truly uplifting/poignant story (even amidst RPG and mortar fire) about the need to "make a Life" out of what one is given. These young women could have been depressed and bitter about their circumstances. Instead they sang even in the midst of a shower of bombs (which were falling around them for reasons that had _absolutely nothing to do with them_). What a story!
Vanessa Hudgens, Ashley Benson, Rachel Korine and Selena Gomez in Spring Breakers [2013] playing college students all, who tell their parents/grandparents that they're going on Spring Break to "find themselves." Well what do they find? Absolutely nothing that is good ... but perhaps what is inevitable if Life is reduced to a hedonistic exercise of "use it or lose it" and "whoever dies with the most toys wins." One scary, scary morally depraved movie.
ADULT (female)
Most Compelling:
Mavis Fan as Lan Feng in Will you still love me tomorrow? (orig. Ming tian ji de ai shang wo) [2013]. An early/mid 30-something administrative professional in Taiwan, until the beginning of the story basically happy, married with a son, discovers that her loving, basically "nice guy" husband is actually / would prefer to be gay. What to do? The poignant question asked in the title of the famous 60s-era Motown song which she sings at one point with her friends at a Kareoke bar becomes the central question of the film.
Honorable Mentions:
Octavia Spencer as Wanda, the mother of Oscar Grant a random African-American 20-something male who was killed by BART police in the hours after New Years 2009 at Fruitvale Station [2013]. She was no nonsense tough with him when he was alive and, of course, wept for him when he so tragically died.
Jessica Chastain as Anabel in Mama [2013], raven-haired, tattoo sleaved "rocker" in a "punk girls' band," nevertheless "steps-up" to take care of two little nieces of her boyfriend when really have no one else to turn to.
Teresa Ramírez Aguirre as Tere(sa) in Aquí y Allá [2012], the wife who "keeps house" with the kids in rural mountainous Guerrero, Mexico even when her husband Pedro goes up North to the U.S. sometimes for years at a time to work to (ostensibly) support them. Quiet, kind, but she's also not dumb ...
Kirsten Dunst as Carolyn Cassady in On the Road [2013] and Kate Bosworth as Billie in Big Sur [2013], the responsible characters in the two Jack Kerouac's novels that were put on the big screen this year.
Ivana Chýlková as Erika in Perfect Days - I ženy mají své dny [2011]. A lot of readers here would probably not like this character much (I'm not sure I do ...) BUT most would understand her. At 40-something, she's made choices in her life, and made her share of mistakes. Now, not in any relationship, with few particularly good prospects on the horizon, she decides that what she'd really want is a baby. AND HAVING THE POWER TO DO SO (thanks to modern technology and a requisite donation of sperm ...) she gets herself pregnant. But even this choice is not free of consequences and doesn't go all according to plan ...
Cate Blanchett as Jasmine in Blue Jasmine [2013] the "Blanche of 'Streetcar Named Desire'" character in this film. What if poor, suffering Blanche (and her husband) had ripped-off her poorer relations in a Bernie Madoff like scheme prior to her landing, helpless and penniless, on their porch?
Sandra Bullock as NASA Mission Specialist Ryan Stone in the epic survival tale Gravity [2013]. Yes, it's never too late to learn to pray, and there is a place for God even in the midst of all kinds of high-flying human built technological wonders.
ELDER (female)
Most Compelling:
Judy Dench as Philomena Lee in Philomena [2013], simple woman, who had been terribly treated by both her family and later "the Nuns" when she became pregnant as a teenager in Ireland of the 1950s-early 60s. Wanting simply to know what happened to her son who she was forced to put-up for adoption, she nevertheless proved capable of forgiving what a lot of people would find very, very difficult to forgive. Yet, what else was she to do ... carrying around hate / resentment is a terrible burden. Honestly a great if painful example to folks on both simply "seeking the truth" and "letting go."
Honorable Mentions:
Emma Thompson as P.L Travers, the author of the Mary Poppins books in Saving Mr. Banks [2013]. Yes, she was a very difficult person to work with BUT as is often the case with "very difficult people," there was a story there as to why she became who she became.
June Squibb as the Matriarch in the dysfunctional family in Nebraska [2013], never outright mean, nevertheless by the end of the movie, one's left wondering if she had a single nice thing to say about anyone in the entire film ;-).
Anne Gee Byrd as the no nonsense grandmother in Zero Charisma [2013]. Yes, her middle-aged daughter had left her to raise her grandson, yes he himself wasn't going to amount to much as a result, but in the midst of not particularly great choices, she held her own and offered both of them a good example of how to how to live a good, honest and dignified life.
HERO / VILLAIN (female)
Most Compelling:
Greta Gerwig as Frances in Frances Ha [2013] in a year that celebrated _a lot_ of "bad girls" Frances' smiling persona in fact of all kinds of social and economic disasters in her life is such a more positive example.
Judy Dench as Philomena Lee in Philomena [2013], no one could possibly have blamed her if she had grown to be bitter in life, but she chose not to be.
Mavis Fan as Lan Feng in Will you still love me tomorrow? (orig. Ming tian ji de ai shang wo) [2013]. Faced with a very hard (and seemingly "out of the blue") situation at home in her marriage, she deals with the situation quite well and with a great deal of grace.
Honorable Mentions:
Jessica Chastain as Anabel in Mama [2013] the punk rocker who "steps-up" to take care of her boyfriend's nieces when they have no one else to turn to.
Jennifer Lawrence as Katnis Everdeen in Hunger Games: Catching Fire [2013] and Saoirse Ronan as Melanie in The Host [2013], the teenage heroines of the these two pulp-dramas put on the screen this year.
Cameron Diaz as Malkina in The Counselor [2013], one "tough as nails," scary-scary consort in the world of drug-lords/kingpins.
The teens / young women of The Bling Ring [2013] and Spring Breakers [2013]. No, not all choices are "equal," and even if one can "get away with it" one's choice can still be a bad/Evil one ...
< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
2013 Denny Awards - Pt 2 - Most Compelling Performances (Male)
Part 2/4 of my Annual "Denny Awards" ;-)
(Other Years' Awards)
Part I - Best Films
Part II - Most Compelling Performances / Character Roles (Male)
Part III - Most Compelling Performances / Character Roles (Female)
Part IV - "The Pale Dennys" - Films about Hist Events Generally NOT taught in School
CHILD (male)
Most Compelling:
Patrick Lorenczat and Levin Liam as 14-year old Fritchen and 9-year old Hans in Wolfschildren (orig. Wolfskinder) [2013] who behind Red Army lines, in former East Prussia, one year after WW II are told by their dying mother to leave her behind and instead walk on their own 100 miles East to also Soviet occupied Lithuania to a family that she hoped would take care of them. Talk about growing-up fast ...
Honorable Mentions:
Bill Hader voicing Flint Lockwood in Cloudy with a Chance of Meatballs 2 [2013], okay he was kinda a nerd but WOW was he creative!
TEEN (male)
Most Compelling: Jacob Latimore as Langston in Black Nativity [2013] a struggling teenager with a lot of questions about his and his family's past, living in a single-parent household and at least initially no one wants to tell him anything.
Honorable Mentions:
Miles Teller as Sutter in the Spectacular Now [2013] the most popular kid in his high school, despite having problems of his own (growing-up in a single parent home where arguably he's the parent much of the time, plus having an obvious emerging drinking problem of his own). Still despite his difficulties at home and his status in school, he chooses to use his popularity / social gifts to help the quieter folk in his school. What a guy ;-)
Luis Omar O'Farrill as Carlos in The Gold Brooch (orig. El Broche d'Oro) [2013] the teenage son of a moderately successful businessman in Puerto Rico. Dad scored a better job stateside in Orlando but Carlos already has his life and friends in PR. What to do?
Liam James as Duncan in The Way, Way Back [2013] the utterly basket-case of a child-of-divorce having (one hopes) the worst summer of his life. What do you do when your dad ran away with some other woman and your mom is also finding it really next to impossible to cope?
Celso Franco as Victor in 7 Boxes (orig. 7 Cajas) [2012] a teenager in Asuncíon, Paraguay with a job of taxiing stuff bought and sold at the city's Central Market. Now he's given a job of transporting 7 boxes from one end of the market to the other and if he completes the gig, he'll be given enough money to buy a smartphone. But what could possibly be in those boxes that he'd be paid so much to deliver them?
YOUNG ADULT (male)
Most Compelling:
Leonardo DiCaprio as Jay Gatsby in The Great Gatsby [2013], from F. Scott Fitzgerald's novel, born literally dirt poor somewhere in Minnesota, changed his life completely becoming spectacularly rich all to try to impress a young woman from far wealthier beginnings. Tragically, he's still "doomed" but boy did he give it a shot at improving himself and his life.
Honorable Mentions:
Sam Riley and Garrett Hedlund as Sal Paradise and Neal Cassady in On the Road [2012] playing the characters from Jack Kerouac's iconic "Beat Generation" novel.
Oscar Isaac as Llewyn Davis in Inside Llewyn Davis [2013] terribly suffering folksinger in this Coen Brothers' piece, in a role that a lot of musicians / artist types would probably appreciate.
James Franco as "Alien" in Spring Breakers [2013] "towny" gangster who in good part just wants to be "noticed" / "taken seriously" by the wild college kids who come to his town each Spring Break (and then left again ...)
Dźmitry Vinsent Papko as Miron in Viva Belarus! [2013] a fictionalized (but based on true events) young Belarussian musician / human rights activist. What would you do, if even in this internet age, you got drafted and then sent TO CHERNOBYL for "re-education" because the "Powers that Be" thought your music was "too radical?"
Lisandro Rodríguez as Liso in La Paz [2013], a psychologically troubled Argentinian young adult from an upper-middle class family who doesn't find peace until he leaves everything behind and goes to Bolivia to teach poor school kids there.
ADULT (male)
Most Compelling:
Ernie Hudson as Marcus Wells in The Man in the Silo [2012], a previously successful, college educated African American businessman who finds himself left to take care of his aging, increasingly senile, white racist mother-in-law after his beautiful white "farmers' daughter" wife and their mixed race son die tragically in a car accident.
Honorable Mentions:
Chiwetel Ejiofor as Solomon Northrup in 12 Years a Slave [2013] who lived the story of The Count of Monte Cristo for real: African-American though born and having lived all his life in the North, he was nonetheless drugged and kidnapped while on a trip to Washington D.C. and then trafficked South where he was sold as a slave. It took him 12 years to get free again.
Will Forte as the younger but adult son David in Nebraska [2013], yes, he knew that his aging, "old drunk," never much of a dad was now borderline nuts but he chose to take pity on him anyway.
Ben Stiller as Walter Mitty in The Secret Life of Walter Mitty [2013] who spent most of his adult life as a "squirrel" of a man buried in the photo-archives of "Life Magazine" only when "Life Magazine" was being restructured was he forced and with some help of a high-flying/"eagle eyed" photographer to leave his shell.
Nicholas Cage voicing Grug in The Croods [2013], as a Cave Man, yes, he was "limited" in his knowledge/education but BOY was he BRAVE and willing to sacrifice himself for his family.
Ethan Hawke as Jesse in Before Midnight [2013] now paying in good part for the decisions he made in the previous parts of the story which now spans almost 2 decades (Before Sunrise [1995], Before Sunset [2004]). Nevertheless he knows he's made choices, he knows he's paying for the choices he's made and is trying to do the best with the cards that he has left.
Steve Coogan as journalist Martin Sixsmith in Philomena [2013], boy did he thank his "lucky stars" that he "Stooped to Conquer" to take the "little human interest story" involving Philomena looking to find out what happened to her son after she was forced to give him up for adoption through a group of nuns back in Ireland in the 1950s-60s.
ELDER (male)
Most Compelling:
Jacobo Morales as Rafael in The Gold Brooch (orig. El Broche d'Oro) [2013] the now wiser/mellowed "abuelo" (grandpa) who his now successful middle-aged son was going to leave in an old folks' home in Puerto Rico when he got a "step-up" job in stateside in Orlando.
Honorable Mentions:
Geoffrey Rush as the older adoptive father Hans in The Book Thief [2013], set in Nazi Germany, he tries to help his young apporaching teenage-hood adoptive daughter make sense of the War / Repression that was going on around them.
Robert Redford in All is Lost [2013] - A film almost without any dialogue, no matter, Redford proves that he can act.
Forest Whitaker as Rev. Cornell Cobbs in Black Nativity [2013] basically a good man but put principles over mercy and paid dearly for it.
Bruce Dern as Woody Grant in Nebraska [2013], after growing-up in rural Nebraska, he went to War in Korea and never really came back. Spending most of his adult life as a drunk and a disappointment to all those around him. Now he's living in Billings, Montana, almost certainly completely senile and yet he's convinced that he has a Million Dollar Check waiting for him back in Nebraska from one of those Publisher's Sweepstakes. If you were from his family what would you do?
Harrison Ford as Col. Graff in Ender's Game [2013], aging veteran of a desperate war that saved the world from alien invasion, now responsible for training _kids_ to fight-off the anticipated next invasion attempt. What do you teach them? How hard to you push them? Are you now even the best teacher to begin with? And yet the stakes are _so high_.
Michael Douglas, Robert DeNiro, Morgan Freeman and Kevin Kline in Last Vegas [2013]. A great ensemble piece and great to see four great older actors both clearly enjoying themselves as they play their parts and willing to acknowledge some of the more problematic aspects of their own life-experiences.
HERO / VILLAIN (male)
Most Compelling:
Idris Elba as Nelson Mandela in Mandela: Long Walk to Freedom [2013] and Robert Więckiewicz as Lech Wałęsa in Walesa: Man of Hope (orig. Wałęsa. Człowiek z nadziei) [2013]. Need one say more?
Tom Hiddleston as Loki in Thor: The Dark World [2013], Evil, utterly untrustworthy but becoming more interesting with every Thor film.
Honorable Mentions:
Chiwetel Ejiofor as Solomon Northrup in 12 Years a Slave [2013] what he had to go through
Dźmitry Vinsent Papko as Miron in Viva Belarus! [2013] again what one still has to go through in some parts of the world.
Javier Bardem as Reiner in The Counselor [2013], one crazy-looking Evil (hedonistic) guy
James Franco as "Alien" in Spring Breakers [2013], another crazy-looking Evil (gangster wannabe) guy
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
(Other Years' Awards)
Part I - Best Films
Part II - Most Compelling Performances / Character Roles (Male)
Part III - Most Compelling Performances / Character Roles (Female)
Part IV - "The Pale Dennys" - Films about Hist Events Generally NOT taught in School
CHILD (male)
Most Compelling:
Patrick Lorenczat and Levin Liam as 14-year old Fritchen and 9-year old Hans in Wolfschildren (orig. Wolfskinder) [2013] who behind Red Army lines, in former East Prussia, one year after WW II are told by their dying mother to leave her behind and instead walk on their own 100 miles East to also Soviet occupied Lithuania to a family that she hoped would take care of them. Talk about growing-up fast ...
Honorable Mentions:
Bill Hader voicing Flint Lockwood in Cloudy with a Chance of Meatballs 2 [2013], okay he was kinda a nerd but WOW was he creative!
TEEN (male)
Most Compelling: Jacob Latimore as Langston in Black Nativity [2013] a struggling teenager with a lot of questions about his and his family's past, living in a single-parent household and at least initially no one wants to tell him anything.
Honorable Mentions:
Miles Teller as Sutter in the Spectacular Now [2013] the most popular kid in his high school, despite having problems of his own (growing-up in a single parent home where arguably he's the parent much of the time, plus having an obvious emerging drinking problem of his own). Still despite his difficulties at home and his status in school, he chooses to use his popularity / social gifts to help the quieter folk in his school. What a guy ;-)
Luis Omar O'Farrill as Carlos in The Gold Brooch (orig. El Broche d'Oro) [2013] the teenage son of a moderately successful businessman in Puerto Rico. Dad scored a better job stateside in Orlando but Carlos already has his life and friends in PR. What to do?
Liam James as Duncan in The Way, Way Back [2013] the utterly basket-case of a child-of-divorce having (one hopes) the worst summer of his life. What do you do when your dad ran away with some other woman and your mom is also finding it really next to impossible to cope?
Celso Franco as Victor in 7 Boxes (orig. 7 Cajas) [2012] a teenager in Asuncíon, Paraguay with a job of taxiing stuff bought and sold at the city's Central Market. Now he's given a job of transporting 7 boxes from one end of the market to the other and if he completes the gig, he'll be given enough money to buy a smartphone. But what could possibly be in those boxes that he'd be paid so much to deliver them?
YOUNG ADULT (male)
Most Compelling:
Leonardo DiCaprio as Jay Gatsby in The Great Gatsby [2013], from F. Scott Fitzgerald's novel, born literally dirt poor somewhere in Minnesota, changed his life completely becoming spectacularly rich all to try to impress a young woman from far wealthier beginnings. Tragically, he's still "doomed" but boy did he give it a shot at improving himself and his life.
Honorable Mentions:
Sam Riley and Garrett Hedlund as Sal Paradise and Neal Cassady in On the Road [2012] playing the characters from Jack Kerouac's iconic "Beat Generation" novel.
Oscar Isaac as Llewyn Davis in Inside Llewyn Davis [2013] terribly suffering folksinger in this Coen Brothers' piece, in a role that a lot of musicians / artist types would probably appreciate.
James Franco as "Alien" in Spring Breakers [2013] "towny" gangster who in good part just wants to be "noticed" / "taken seriously" by the wild college kids who come to his town each Spring Break (and then left again ...)
Dźmitry Vinsent Papko as Miron in Viva Belarus! [2013] a fictionalized (but based on true events) young Belarussian musician / human rights activist. What would you do, if even in this internet age, you got drafted and then sent TO CHERNOBYL for "re-education" because the "Powers that Be" thought your music was "too radical?"
Lisandro Rodríguez as Liso in La Paz [2013], a psychologically troubled Argentinian young adult from an upper-middle class family who doesn't find peace until he leaves everything behind and goes to Bolivia to teach poor school kids there.
ADULT (male)
Most Compelling:
Ernie Hudson as Marcus Wells in The Man in the Silo [2012], a previously successful, college educated African American businessman who finds himself left to take care of his aging, increasingly senile, white racist mother-in-law after his beautiful white "farmers' daughter" wife and their mixed race son die tragically in a car accident.
Honorable Mentions:
Chiwetel Ejiofor as Solomon Northrup in 12 Years a Slave [2013] who lived the story of The Count of Monte Cristo for real: African-American though born and having lived all his life in the North, he was nonetheless drugged and kidnapped while on a trip to Washington D.C. and then trafficked South where he was sold as a slave. It took him 12 years to get free again.
Will Forte as the younger but adult son David in Nebraska [2013], yes, he knew that his aging, "old drunk," never much of a dad was now borderline nuts but he chose to take pity on him anyway.
Ben Stiller as Walter Mitty in The Secret Life of Walter Mitty [2013] who spent most of his adult life as a "squirrel" of a man buried in the photo-archives of "Life Magazine" only when "Life Magazine" was being restructured was he forced and with some help of a high-flying/"eagle eyed" photographer to leave his shell.
Nicholas Cage voicing Grug in The Croods [2013], as a Cave Man, yes, he was "limited" in his knowledge/education but BOY was he BRAVE and willing to sacrifice himself for his family.
Ethan Hawke as Jesse in Before Midnight [2013] now paying in good part for the decisions he made in the previous parts of the story which now spans almost 2 decades (Before Sunrise [1995], Before Sunset [2004]). Nevertheless he knows he's made choices, he knows he's paying for the choices he's made and is trying to do the best with the cards that he has left.
Steve Coogan as journalist Martin Sixsmith in Philomena [2013], boy did he thank his "lucky stars" that he "Stooped to Conquer" to take the "little human interest story" involving Philomena looking to find out what happened to her son after she was forced to give him up for adoption through a group of nuns back in Ireland in the 1950s-60s.
ELDER (male)
Most Compelling:
Jacobo Morales as Rafael in The Gold Brooch (orig. El Broche d'Oro) [2013] the now wiser/mellowed "abuelo" (grandpa) who his now successful middle-aged son was going to leave in an old folks' home in Puerto Rico when he got a "step-up" job in stateside in Orlando.
Honorable Mentions:
Geoffrey Rush as the older adoptive father Hans in The Book Thief [2013], set in Nazi Germany, he tries to help his young apporaching teenage-hood adoptive daughter make sense of the War / Repression that was going on around them.
Robert Redford in All is Lost [2013] - A film almost without any dialogue, no matter, Redford proves that he can act.
Forest Whitaker as Rev. Cornell Cobbs in Black Nativity [2013] basically a good man but put principles over mercy and paid dearly for it.
Bruce Dern as Woody Grant in Nebraska [2013], after growing-up in rural Nebraska, he went to War in Korea and never really came back. Spending most of his adult life as a drunk and a disappointment to all those around him. Now he's living in Billings, Montana, almost certainly completely senile and yet he's convinced that he has a Million Dollar Check waiting for him back in Nebraska from one of those Publisher's Sweepstakes. If you were from his family what would you do?
Harrison Ford as Col. Graff in Ender's Game [2013], aging veteran of a desperate war that saved the world from alien invasion, now responsible for training _kids_ to fight-off the anticipated next invasion attempt. What do you teach them? How hard to you push them? Are you now even the best teacher to begin with? And yet the stakes are _so high_.
Michael Douglas, Robert DeNiro, Morgan Freeman and Kevin Kline in Last Vegas [2013]. A great ensemble piece and great to see four great older actors both clearly enjoying themselves as they play their parts and willing to acknowledge some of the more problematic aspects of their own life-experiences.
HERO / VILLAIN (male)
Most Compelling:
Idris Elba as Nelson Mandela in Mandela: Long Walk to Freedom [2013] and Robert Więckiewicz as Lech Wałęsa in Walesa: Man of Hope (orig. Wałęsa. Człowiek z nadziei) [2013]. Need one say more?
Tom Hiddleston as Loki in Thor: The Dark World [2013], Evil, utterly untrustworthy but becoming more interesting with every Thor film.
Honorable Mentions:
Chiwetel Ejiofor as Solomon Northrup in 12 Years a Slave [2013] what he had to go through
Dźmitry Vinsent Papko as Miron in Viva Belarus! [2013] again what one still has to go through in some parts of the world.
Javier Bardem as Reiner in The Counselor [2013], one crazy-looking Evil (hedonistic) guy
James Franco as "Alien" in Spring Breakers [2013], another crazy-looking Evil (gangster wannabe) guy
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
2013 Denny Awards - Part 1 (Best Films)
Part 1/4 of my Annual "Denny Awards" ;-)
(Other Years' Awards)
Part I - Best Films of 2013
Part II - Most Compelling Performances / Character Roles (Male)
Part III - Most Compelling Performances / Character Roles (Female)
Part IV - "The Pale Dennys" - Films about Hist Events Generally NOT taught in School
BEST FAMILY ORIENTED FILMS
FOR FAMILIES WITH YOUNG CHILDREN -
Best -
The Croods [2013] - The breakfast scene near the beginning, talk about team spirit! ;-)
Honorable Mentions -
For girls Frozen [2013] - Lovely tale about two sisters each trying to help/protect the other ;-)
For boys The Hobbit: The Desolation of Smaug [2013] - Can't go wrong with Tolkien and his dragons ;-)
FOR FAMILY ORIENTED FILMS FOR FAMILIES WITH TEENS -
Best -
The Book Thief [2013] - Lovely story about a family (and an adoptive one at that) that comes together in very, very difficult times.
Honorable Mentions -
The Croods [2013] - Kids movie that can be understood on a different level by teens. Okay, you think that your parents are "backward." Well could you imagine your life without them?
Black Nativity [2013] - young African American teen growing-up in the midst of a splintered family where every adult seemed to have a secret
BEST INTERGENERATIONAL FILMS (Best Family Centered Films for Adults) -
Best - Broche d'Oro [2012] - Gentle contemporary Puerto Rican film (subtitled). Dad lands a promotion that could take the family Stateside (to the Orlando area) from San Juan. BUT his high school aged son has all his friends on the Island AND what about Grandpa?
Honorable Mentions -
Nebraska [2013] - yes, dad's an old drunk and ma' doesn't seem to have a single nice thing to say about anybody, but they're the ones who made you.
The Man in the Silo [2013] - A previously successful, college educated black man is left to take care of his white racist rural Wisconsin mother-in-law after his beautiful white "farmer's daughter" wife and their 8 year-old mixed-race son were killed in a tragic car accident.
For the Cause [2013] - A young woman lawyer asked by her father to defend him in a trial even though both she and her mother have hated him for years for having abandoning them.
Black Nativity [2013] -A teenage boy tries to find his place in the world even as none of his elders (parents / grandparents) will tell him anything because they all have their secrets that they're hiding.
About Time [2013] - A lit. professor at a small provincial college somewhere in England makes (and is able to make ...) the spectacularly wise choice of putting his family and especially his son over his career
Aquí y Allá [2012] - After several years away working "up North", father comes home to his family in rural Guerrero, Mexico. But how long is he gonna stay?
La Paz [2012] - Argentinian youth from a loving but apparently quite suffocating upper-middle-class family from Buenos Aires doesn't find inner peace until he leaves everything to teach kids at a school in Bolivia.
BEST TEEN ORIENTED FILM (for boys) -
Best -
Wolverine [2013] - Best of another great year of Marvel inspired films.
Honorable Mentions -
Thor: The Dark World [2013] - Again, can't really go wrong with Thor, and Loki's getting more interesting with each film ;-)
Iron Man 3 [2013] - Does Marvel ever "flop"?
The Lone Ranger [2013] - Better than most critics give it credit for, helps if you know what "Tonto" means in Spanish ... ;-)
BEST TEEN ORIENTED FILM (for girls) -
Best -
Epic [2013] - maybe more for "younger teens" / "tweens" but actually a nice father-daughter tale.
Honorable Mentions -
Hunger Games: Catching Fire [2013] - teenage heroine Katniss continues her struggle to both survive and save her people from world where Life has been turned into a terrible/evil Game.
The Host [2013] - a teenage girl is able to make friends/peace with even the "alien soul" that's invaded/possessed her. Offers a fascinating (and ultimately more peaceful alternative) to simply shooting/blowing-up "aliens.
BEST FILM THAT WILL HELP YOU WITH YOUR SCHOOL WORK -
Best -
The Great Gatsby [2013] - Faithful to F. Scott Fitzgerald's book to a tee, with Leonardo DiCaprio played an almost perfect Gatsby. You'll definitely understand the book after this film.
Much Ado About Nothing [2013] - GREAT stylized (black & white) contemporary staging of this Shakesperean comedy using Hollywood TV stars as actors and dialogue straight from the Bard
Honorable Mentions -
On the Road [2012] - Based on Jack Kerouac's famed novel. Not really for "high schoolers" (the R-rating is DEFINITELY APPROPRIATE). However will help college aged adults and above understand how we got from Steinbeck and Hemingway to today.
BEST FILM THAT ASKS THE BIG QUESTIONS -
Best -
All is Lost [2013] - If you're just "floating through life" what's gonna happen if something goes wrong?
Gravity [2013] - Is there Space for God in the midst of all our technology? You betcha. Who's going to remember you when everything seems to go wrong?
Honorable Mentions -
BEST "SMALL" FILM -
Best -
Much Ado About Nothing [2013] - Shakespeare filmed (in contemporary dress / black and white) at a Hollywood producer's Santa Monica house
Honorable Mentions
Nebraska [2013] - Again filmed in b&w, story of an old guy and his family with initial reluctance stepping-up to take care of him (even if he hadn't been the best of fathers / husbands)
All is Lost [2013] - story of an older guy who's been "drifting alone" on his yacht, until...
Zero Charisma [2013] - story about the fantasy gamer set (but really about much more than that). What if you ran into someone who was "just like you" only a "far better version" of you?
Drinking Buddies [2013] - even today can men and women be "just friends"?
7 Boxes (orig. 7 Cajas) [2012] - a Paraguayan film about simply a young teen working at the central market in Asuncion, Paraguay tasked with transporting 7 boxes from one end of the market to the other for a fairly large sum of money. It's a simple task, but why are they paying him so much to do it? And does he want to know?
BEST OPENLY RELIGIOUS FILM -
Best -
The Bible [History Channel-Television Series 2013] - Excellent, well thought out Television series focusing on key episodes across the span of the Christian Bible leaving the viewer with a fair amount to reflect about.
Honorable Mentions -
BEST PRO-LIFE FILM -
Best -
Mothers [2012] - Chinese documentary about enforcement of its "one child" policy
BEST (YOUNG ADULT) RELATIONSHIP FILM -
Best -
The Great Gatsby [2013] - great doomed young-adult love story, with great performances by all the key actors involved Leonardo DiCaprio as Gatsby, Carey Mulligan as Daisy, Tobey McGuire as Nick Caraway telling the story.
Honorable Mentions
Her [2013] - truly modern RomCom - A guy of the near future falls in love with his Apple Siri-like operating system (voiced by Scarlet Johannsen). She for her part, after obsessing for over half the film over her lack of having body "gets over it" and finds her self-worth elsewhere ;-) A great story with a message for everyone.
Much Ado About Nothing [2012] - a great/sharp modern rendition of one of the first "romcoms" EVER.
Warm Bodies [2013] - probably the cutest RomCom in recent years, featuring a Zombie named "R" and a human named "Julie" ;-) ... there's even a balcony scene ;-). Can this relationship possibly work? ;-)
Will you still love me tomorrow? (orig. Ming tian ji de ai shang wo) [2013] - Taiwanese film (subtitled) about a (still) young, by appearances generally happy, 30-something couple, 10 years married, that comes to a breaking-point when the husband (after much internal turmoil) comes out as gay.
Faith, Love and Whiskey [2012] - A young attractive Bulgarian foreign exchange student makes good and lands a good, successful American guy in New York. But what of the less successful but still great Bulgarian flame she left back home?
Drinking Buddies [2013] - Even today, can a young man and a young woman simply be "drinking buddies"?
Upside Down [2012] - Great Argentinian parable involving two planets who's orbits around their sun are so close that they almost touch each other. She's from "UpTop" while he's from "DownBelow." Can their relationship ever work out? ;-)
Enough Said [2013] - A great story about the harm of learning too much about someone.
BEST FILM FOR FILM LOVERS -
Best -
The Great Gatsby [2013] - Great story, eye-popping visuals, all lead actors/actresses playing the hilt out of their roles, honestly don't understand why this film was better appreciated by other critics.
Much ado About Nothing [2012] - Again great, classic story, well rendered by a cast obviously loving every minute of making this film.
Honorable Mentions -
Spring Breakers [2013] - visually jarring and very well-acted, certainly about "girls gone wild" ...
All is Lost [2013] - One man on a boat, almost no dialogue, but wow, what a cautionary tale about Life and (the need for) Relationships ...
Gravity [2013] - Hands down best use of 3D of the year, feels like you're there, while the gripping story leads the viewer to ask some very good questions about the meaning / precariousness of Life in our very technological age.
Nebraska [2013] - simple story, rendered in b&w about family and the ties that bind.
BEST DOCUMENTARY FILM -
Best - 20 Feet from Stardom [2013] - great documentary about those who've been singing the backup voices in some of the most famous rock songs of our time.
Honorable Mentions -
The Gatekeepers [2012] - Interviews with the last 6 heads of the Israeli Shin Bet about various moral questions that arise during covert, counter-insurgency, and counter terrorism operations
African Independence [2013] - a nice primer on the history of the independence movements across Africa during the 20th Century
We Steal Secrets: The Story of Wikileaks [2013] - Documentary about how Wikileaks came to be.
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
(Other Years' Awards)
Part I - Best Films of 2013
Part II - Most Compelling Performances / Character Roles (Male)
Part III - Most Compelling Performances / Character Roles (Female)
Part IV - "The Pale Dennys" - Films about Hist Events Generally NOT taught in School
BEST FAMILY ORIENTED FILMS
FOR FAMILIES WITH YOUNG CHILDREN -
Best -
The Croods [2013] - The breakfast scene near the beginning, talk about team spirit! ;-)
Honorable Mentions -
For girls Frozen [2013] - Lovely tale about two sisters each trying to help/protect the other ;-)
For boys The Hobbit: The Desolation of Smaug [2013] - Can't go wrong with Tolkien and his dragons ;-)
FOR FAMILY ORIENTED FILMS FOR FAMILIES WITH TEENS -
Best -
The Book Thief [2013] - Lovely story about a family (and an adoptive one at that) that comes together in very, very difficult times.
Honorable Mentions -
The Croods [2013] - Kids movie that can be understood on a different level by teens. Okay, you think that your parents are "backward." Well could you imagine your life without them?
Black Nativity [2013] - young African American teen growing-up in the midst of a splintered family where every adult seemed to have a secret
BEST INTERGENERATIONAL FILMS (Best Family Centered Films for Adults) -
Best - Broche d'Oro [2012] - Gentle contemporary Puerto Rican film (subtitled). Dad lands a promotion that could take the family Stateside (to the Orlando area) from San Juan. BUT his high school aged son has all his friends on the Island AND what about Grandpa?
Honorable Mentions -
Nebraska [2013] - yes, dad's an old drunk and ma' doesn't seem to have a single nice thing to say about anybody, but they're the ones who made you.
The Man in the Silo [2013] - A previously successful, college educated black man is left to take care of his white racist rural Wisconsin mother-in-law after his beautiful white "farmer's daughter" wife and their 8 year-old mixed-race son were killed in a tragic car accident.
For the Cause [2013] - A young woman lawyer asked by her father to defend him in a trial even though both she and her mother have hated him for years for having abandoning them.
Black Nativity [2013] -A teenage boy tries to find his place in the world even as none of his elders (parents / grandparents) will tell him anything because they all have their secrets that they're hiding.
About Time [2013] - A lit. professor at a small provincial college somewhere in England makes (and is able to make ...) the spectacularly wise choice of putting his family and especially his son over his career
Aquí y Allá [2012] - After several years away working "up North", father comes home to his family in rural Guerrero, Mexico. But how long is he gonna stay?
La Paz [2012] - Argentinian youth from a loving but apparently quite suffocating upper-middle-class family from Buenos Aires doesn't find inner peace until he leaves everything to teach kids at a school in Bolivia.
BEST TEEN ORIENTED FILM (for boys) -
Best -
Wolverine [2013] - Best of another great year of Marvel inspired films.
Honorable Mentions -
Thor: The Dark World [2013] - Again, can't really go wrong with Thor, and Loki's getting more interesting with each film ;-)
Iron Man 3 [2013] - Does Marvel ever "flop"?
The Lone Ranger [2013] - Better than most critics give it credit for, helps if you know what "Tonto" means in Spanish ... ;-)
BEST TEEN ORIENTED FILM (for girls) -
Best -
Epic [2013] - maybe more for "younger teens" / "tweens" but actually a nice father-daughter tale.
Honorable Mentions -
Hunger Games: Catching Fire [2013] - teenage heroine Katniss continues her struggle to both survive and save her people from world where Life has been turned into a terrible/evil Game.
The Host [2013] - a teenage girl is able to make friends/peace with even the "alien soul" that's invaded/possessed her. Offers a fascinating (and ultimately more peaceful alternative) to simply shooting/blowing-up "aliens.
BEST FILM THAT WILL HELP YOU WITH YOUR SCHOOL WORK -
Best -
The Great Gatsby [2013] - Faithful to F. Scott Fitzgerald's book to a tee, with Leonardo DiCaprio played an almost perfect Gatsby. You'll definitely understand the book after this film.
Much Ado About Nothing [2013] - GREAT stylized (black & white) contemporary staging of this Shakesperean comedy using Hollywood TV stars as actors and dialogue straight from the Bard
Honorable Mentions -
On the Road [2012] - Based on Jack Kerouac's famed novel. Not really for "high schoolers" (the R-rating is DEFINITELY APPROPRIATE). However will help college aged adults and above understand how we got from Steinbeck and Hemingway to today.
BEST FILM THAT ASKS THE BIG QUESTIONS -
Best -
All is Lost [2013] - If you're just "floating through life" what's gonna happen if something goes wrong?
Gravity [2013] - Is there Space for God in the midst of all our technology? You betcha. Who's going to remember you when everything seems to go wrong?
Honorable Mentions -
BEST "SMALL" FILM -
Best -
Much Ado About Nothing [2013] - Shakespeare filmed (in contemporary dress / black and white) at a Hollywood producer's Santa Monica house
Honorable Mentions
Nebraska [2013] - Again filmed in b&w, story of an old guy and his family with initial reluctance stepping-up to take care of him (even if he hadn't been the best of fathers / husbands)
All is Lost [2013] - story of an older guy who's been "drifting alone" on his yacht, until...
Zero Charisma [2013] - story about the fantasy gamer set (but really about much more than that). What if you ran into someone who was "just like you" only a "far better version" of you?
Drinking Buddies [2013] - even today can men and women be "just friends"?
7 Boxes (orig. 7 Cajas) [2012] - a Paraguayan film about simply a young teen working at the central market in Asuncion, Paraguay tasked with transporting 7 boxes from one end of the market to the other for a fairly large sum of money. It's a simple task, but why are they paying him so much to do it? And does he want to know?
BEST OPENLY RELIGIOUS FILM -
Best -
The Bible [History Channel-Television Series 2013] - Excellent, well thought out Television series focusing on key episodes across the span of the Christian Bible leaving the viewer with a fair amount to reflect about.
Honorable Mentions -
Pietà [2012] - an often ghastly (R-rating definitely deserved) reflection on Our Lady of Sorrows coming from South Korea (about 1/3 of South Korea is Christian about about 1/3-1/2 of those are Catholic). A random 20-something enforcer for the mob is visited-upon by a woman who claims to be his mother and blames herself for how he turned out. But she's also concerned for his victims ...
BEST PRO-LIFE FILM -
Best -
Mothers [2012] - Chinese documentary about enforcement of its "one child" policy
BEST (YOUNG ADULT) RELATIONSHIP FILM -
Best -
The Great Gatsby [2013] - great doomed young-adult love story, with great performances by all the key actors involved Leonardo DiCaprio as Gatsby, Carey Mulligan as Daisy, Tobey McGuire as Nick Caraway telling the story.
Honorable Mentions
Her [2013] - truly modern RomCom - A guy of the near future falls in love with his Apple Siri-like operating system (voiced by Scarlet Johannsen). She for her part, after obsessing for over half the film over her lack of having body "gets over it" and finds her self-worth elsewhere ;-) A great story with a message for everyone.
Much Ado About Nothing [2012] - a great/sharp modern rendition of one of the first "romcoms" EVER.
Warm Bodies [2013] - probably the cutest RomCom in recent years, featuring a Zombie named "R" and a human named "Julie" ;-) ... there's even a balcony scene ;-). Can this relationship possibly work? ;-)
Will you still love me tomorrow? (orig. Ming tian ji de ai shang wo) [2013] - Taiwanese film (subtitled) about a (still) young, by appearances generally happy, 30-something couple, 10 years married, that comes to a breaking-point when the husband (after much internal turmoil) comes out as gay.
Faith, Love and Whiskey [2012] - A young attractive Bulgarian foreign exchange student makes good and lands a good, successful American guy in New York. But what of the less successful but still great Bulgarian flame she left back home?
Drinking Buddies [2013] - Even today, can a young man and a young woman simply be "drinking buddies"?
Upside Down [2012] - Great Argentinian parable involving two planets who's orbits around their sun are so close that they almost touch each other. She's from "UpTop" while he's from "DownBelow." Can their relationship ever work out? ;-)
Enough Said [2013] - A great story about the harm of learning too much about someone.
BEST FILM FOR FILM LOVERS -
Best -
The Great Gatsby [2013] - Great story, eye-popping visuals, all lead actors/actresses playing the hilt out of their roles, honestly don't understand why this film was better appreciated by other critics.
Much ado About Nothing [2012] - Again great, classic story, well rendered by a cast obviously loving every minute of making this film.
Honorable Mentions -
Spring Breakers [2013] - visually jarring and very well-acted, certainly about "girls gone wild" ...
All is Lost [2013] - One man on a boat, almost no dialogue, but wow, what a cautionary tale about Life and (the need for) Relationships ...
Gravity [2013] - Hands down best use of 3D of the year, feels like you're there, while the gripping story leads the viewer to ask some very good questions about the meaning / precariousness of Life in our very technological age.
Nebraska [2013] - simple story, rendered in b&w about family and the ties that bind.
BEST DOCUMENTARY FILM -
Best - 20 Feet from Stardom [2013] - great documentary about those who've been singing the backup voices in some of the most famous rock songs of our time.
Honorable Mentions -
The Gatekeepers [2012] - Interviews with the last 6 heads of the Israeli Shin Bet about various moral questions that arise during covert, counter-insurgency, and counter terrorism operations
African Independence [2013] - a nice primer on the history of the independence movements across Africa during the 20th Century
We Steal Secrets: The Story of Wikileaks [2013] - Documentary about how Wikileaks came to be.
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
Wednesday, January 1, 2014
The Secret Life of Walter Mitty [2013]
MPAA (PG-13) CNS/USCCB (A-III) ChicagoTribune (2 Stars) RE.com (2 Stars) AVClub (C+) Fr. Dennis (3 1/2 Stars)
IMDb listing
CNS/USCCB (J. Mulderig) review
ChicagoTribune (M. Phillips) review
RE.com (G. Kenny) review
AVClub (B. Kenigsberg) review
The Secret Life of Walter Mitty [2013], directed by Ben Stiller who also stars in the film's title role, screen story and screenplay by Steve Conrad, based on the short story by James Thurber [IMDb] which had been made previously into a 1947 film by the same name [IMDb] starring Danny Kaye [IMDb] is about a mild-mannered, hen-pecked middle-aged man named Walter Mitty.
In the current version of the film, Walter Mitty (played, as mentioned above, in the current film by Ben Stiller) had been working so very, very quietly for the past 16 years for Life Magazine, buried in its photographic publishing department. This seemed like a "perfect job" for someone like Walter, who though having had apparently a very normal and even rambunctious childhood (he skateboarded, even sported at "Mohawk haircut" as a tween) had retreated into himself after the sudden death of his father when he was in his late teens/college age. Instead of going on a summer trip to Europe (his father's last gift to him had even been a "travel diary" for said trip) immediately after his father's death, Walter chose to put his dreams aside, finished school, took a job delivering Papa John's pizzas (to help pay for said school...) and then took the job in the dark-rooms / photo-archives of Life Magazine (some symbolism, don't ya think ;-)
Well, this "Life-choice" would have worked ... 'cept: (1) his previous dreams would not go away. In fact, throughout his adult life, he'd periodically "zone-out" entering into a fantasy world where he'd imagine himself doing all kinds of heroic deeds that he was too mild-mannered (in reality terrified) to do in real-Life, and (2) as we all well know, no job is particular secure these days. Near the beginning of the film, he along with the rest of the staff at Life's New York HQ are informed that the magazine had been bought and was destined to be converted from "Life" to "Life Online" (some other symbolism here as well ...) with a fair amount of employees expected to downsized in the process.
Now does the nice, loveable if ever cautious "squirrel" (think chipmunk, prairie dog or otherwise ground squirrel) like Walter Mitty who's spent his entire adult life buried in the still pre-digital photoarchives of "Life Magazine" stand a chance in face of the downsizer's axe in the person of Ted Hendrick's (played by Adam Scott) brought-in by the new "higher-ups" to determine who "Lives" and who "Dies" in Life's new realities? Of course not.
Yet, Walter Mitty does have his friends/allies, including a high-flying photographer named Sean O'Connell (played by Sean Penn) who, though he's rarely actually passed through "Life's HQ" there in New York, instead prefering to "live Life on the edge" and sending in his photo-dispatches from (and picking up his checks at) random locations around the world, had long expressed his admiration and gratitude for Walter Mitty's ability to convert his photographs into iconic images on Life Magazine's pages.
And so it is, Walter Mitty's dark-room / photoarchival office receives a final role of photos from said high-flying, "Eagle-eyed," legendary photographer Sean O'Connell, who writes insisting that "Frame 25" be the cover of the last print edition of "Life." 'Cept ... "Frame 25" seems to be missing in the role that Walter Mitty's received ... and fearing the loss of his job as a result, he spends the rest of the movie looking for it.
Trying to find legendary "Life" photographer Sean O'Connell in order to try to find out what happened to "Frame 25" on that last roll sends sends mild-mannered "ground squirrel" Walter Mitty _finally_ on the adventure of his Life.
There have been reviewers who've asked why the film "needed" a nearly $100 million budget including location shoots in Greenland, Iceland and the Himalayas? It's a fair enough question BUT exaggerated perhaps as the current story was, I do see a clear point to it: We do need to live in a way that at least _some_ of our dreams do come true or else those dreams will haunt us and besides _no one_ can assure us that the security that exists for us today will exist tomorrow.
In this light, I've long thought that the "Burning Bush in the Desert" that Moses finds in Exodus 3 was also Symbolic unfulfilled Dreams/Projects of (in that case, Moses') Youth. In Moses' youth, he had come to see the injustices that the Egyptians (with whom he had grown up) had inflicted on the Hebrew slaves. In his youth, he reacted to those injustices rashly and thus had to flee into the Desert as a result. But calmly, patiently (we DON'T KNOW how long that "bush" was burning out there in the Desert) God called him back "to finish the job."
In any case, dreams can not be left completely unfulfilled ... or else one comes to live, like Walter did for a good part of his life, "buried at work" as if he had already died.
So good job folks, good job!
< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
IMDb listing
CNS/USCCB (J. Mulderig) review
ChicagoTribune (M. Phillips) review
RE.com (G. Kenny) review
AVClub (B. Kenigsberg) review
The Secret Life of Walter Mitty [2013], directed by Ben Stiller who also stars in the film's title role, screen story and screenplay by Steve Conrad, based on the short story by James Thurber [IMDb] which had been made previously into a 1947 film by the same name [IMDb] starring Danny Kaye [IMDb] is about a mild-mannered, hen-pecked middle-aged man named Walter Mitty.
In the current version of the film, Walter Mitty (played, as mentioned above, in the current film by Ben Stiller) had been working so very, very quietly for the past 16 years for Life Magazine, buried in its photographic publishing department. This seemed like a "perfect job" for someone like Walter, who though having had apparently a very normal and even rambunctious childhood (he skateboarded, even sported at "Mohawk haircut" as a tween) had retreated into himself after the sudden death of his father when he was in his late teens/college age. Instead of going on a summer trip to Europe (his father's last gift to him had even been a "travel diary" for said trip) immediately after his father's death, Walter chose to put his dreams aside, finished school, took a job delivering Papa John's pizzas (to help pay for said school...) and then took the job in the dark-rooms / photo-archives of Life Magazine (some symbolism, don't ya think ;-)
Well, this "Life-choice" would have worked ... 'cept: (1) his previous dreams would not go away. In fact, throughout his adult life, he'd periodically "zone-out" entering into a fantasy world where he'd imagine himself doing all kinds of heroic deeds that he was too mild-mannered (in reality terrified) to do in real-Life, and (2) as we all well know, no job is particular secure these days. Near the beginning of the film, he along with the rest of the staff at Life's New York HQ are informed that the magazine had been bought and was destined to be converted from "Life" to "Life Online" (some other symbolism here as well ...) with a fair amount of employees expected to downsized in the process.
Now does the nice, loveable if ever cautious "squirrel" (think chipmunk, prairie dog or otherwise ground squirrel) like Walter Mitty who's spent his entire adult life buried in the still pre-digital photoarchives of "Life Magazine" stand a chance in face of the downsizer's axe in the person of Ted Hendrick's (played by Adam Scott) brought-in by the new "higher-ups" to determine who "Lives" and who "Dies" in Life's new realities? Of course not.
Yet, Walter Mitty does have his friends/allies, including a high-flying photographer named Sean O'Connell (played by Sean Penn) who, though he's rarely actually passed through "Life's HQ" there in New York, instead prefering to "live Life on the edge" and sending in his photo-dispatches from (and picking up his checks at) random locations around the world, had long expressed his admiration and gratitude for Walter Mitty's ability to convert his photographs into iconic images on Life Magazine's pages.
And so it is, Walter Mitty's dark-room / photoarchival office receives a final role of photos from said high-flying, "Eagle-eyed," legendary photographer Sean O'Connell, who writes insisting that "Frame 25" be the cover of the last print edition of "Life." 'Cept ... "Frame 25" seems to be missing in the role that Walter Mitty's received ... and fearing the loss of his job as a result, he spends the rest of the movie looking for it.
Trying to find legendary "Life" photographer Sean O'Connell in order to try to find out what happened to "Frame 25" on that last roll sends sends mild-mannered "ground squirrel" Walter Mitty _finally_ on the adventure of his Life.
There have been reviewers who've asked why the film "needed" a nearly $100 million budget including location shoots in Greenland, Iceland and the Himalayas? It's a fair enough question BUT exaggerated perhaps as the current story was, I do see a clear point to it: We do need to live in a way that at least _some_ of our dreams do come true or else those dreams will haunt us and besides _no one_ can assure us that the security that exists for us today will exist tomorrow.
In this light, I've long thought that the "Burning Bush in the Desert" that Moses finds in Exodus 3 was also Symbolic unfulfilled Dreams/Projects of (in that case, Moses') Youth. In Moses' youth, he had come to see the injustices that the Egyptians (with whom he had grown up) had inflicted on the Hebrew slaves. In his youth, he reacted to those injustices rashly and thus had to flee into the Desert as a result. But calmly, patiently (we DON'T KNOW how long that "bush" was burning out there in the Desert) God called him back "to finish the job."
In any case, dreams can not be left completely unfulfilled ... or else one comes to live, like Walter did for a good part of his life, "buried at work" as if he had already died.
So good job folks, good job!
< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
Tuesday, December 31, 2013
Saving Mr. Banks [2013]
MPAA (PG-13) CNS/USCCB (A-II) ChicagoTribune (3 Stars) RE.com (3 Stars) AVClub (C) Fr. Dennis (4 Stars)
IMDb listing
CNS/USCCB (J. McAleer) review
ChicagoTribune (M. Phillips) review
RE.com (S. Wloszczyna) review
AVClub (A.A. Dowd) review
Saving Mr. Banks [2013] (directed by John Lee Hancock, screenplay by Kelly Marcel and Sue Smith) tells the story of the struggle of legendary Hollywood Studio / Theme Park owner Walt Disney [IMDb-1] [IMDb-2] (played magnificently in the film by Tom Hanks) to attain the rights to make what became the celebrated Disney musical Mary Poppins [1964] from P.L. Travers (again played in the film to Oscar worthy heights by Emma Thompson), the prickly Australian born, since London, England residing author of the original Mary Poppins children's books.
Clearly, it was not easy for Walt get those rights from Ms. Travers ;-). And clearly there was a story as to why it was so hard for Ms. Travers to "let go" of this her story. And as is the case of many children's book authors, the inspiration for their later children's book came from their experiences (and their sufferings) during their own childhoods.
So then this film really tells two stories:
The first was the story of the writer P.L. Travers causing Walt Disney and his crew of very talented writers including Don DaGrady (played in the film by Bradley Whitford), and Robert and Richard Sherman (played by B.J. Novak and Jason Schwartzman) all kinds of problems as they tried to come up with a script that was both marketable and acceptable to her often seemingly incomprehensible demands: NO RED at all (!) in the film, NO facial hair on Mr. Banks, NO pears, NO animation, NO since legendary Dick Van Dyke [IMDb] ... ;-).
The second was that of the little girl Ginty Goff (played magnificently by Annie Rose Buckley) growing-up in rural Australia, the daughter of Travers Goff (played again magnificently by Colin Farrell), a small town banker _and_ an alcoholic who eventually died of tuberculosis, and her mother Margaret Goff (played by Ruth Wilson) who was beside-herself, not knowing what to do about her on one hand fun-loving, on the other hand ever drinking (and when he got too drunk, making-a-fool-of-himself) husband. When things got really difficult, that's when Margaret called in Aunt Ellie (played by Rachel Griffith) to come-in as a de-facto nanny ...
Presented here are then the elements of a very nice, if at times very sad, intertwining story reminding us all that when people act strangely, there's often enough a story behind that strangeness.
Not necessarily for really little kids, the film would certainly be a nice one from preteens and teenagers particularly ones with relatives who at times may seem rather odd.
Good job Disney, Good job!
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
IMDb listing
CNS/USCCB (J. McAleer) review
ChicagoTribune (M. Phillips) review
RE.com (S. Wloszczyna) review
AVClub (A.A. Dowd) review
Saving Mr. Banks [2013] (directed by John Lee Hancock, screenplay by Kelly Marcel and Sue Smith) tells the story of the struggle of legendary Hollywood Studio / Theme Park owner Walt Disney [IMDb-1] [IMDb-2] (played magnificently in the film by Tom Hanks) to attain the rights to make what became the celebrated Disney musical Mary Poppins [1964] from P.L. Travers (again played in the film to Oscar worthy heights by Emma Thompson), the prickly Australian born, since London, England residing author of the original Mary Poppins children's books.
Clearly, it was not easy for Walt get those rights from Ms. Travers ;-). And clearly there was a story as to why it was so hard for Ms. Travers to "let go" of this her story. And as is the case of many children's book authors, the inspiration for their later children's book came from their experiences (and their sufferings) during their own childhoods.
So then this film really tells two stories:
The first was the story of the writer P.L. Travers causing Walt Disney and his crew of very talented writers including Don DaGrady (played in the film by Bradley Whitford), and Robert and Richard Sherman (played by B.J. Novak and Jason Schwartzman) all kinds of problems as they tried to come up with a script that was both marketable and acceptable to her often seemingly incomprehensible demands: NO RED at all (!) in the film, NO facial hair on Mr. Banks, NO pears, NO animation, NO since legendary Dick Van Dyke [IMDb] ... ;-).
The second was that of the little girl Ginty Goff (played magnificently by Annie Rose Buckley) growing-up in rural Australia, the daughter of Travers Goff (played again magnificently by Colin Farrell), a small town banker _and_ an alcoholic who eventually died of tuberculosis, and her mother Margaret Goff (played by Ruth Wilson) who was beside-herself, not knowing what to do about her on one hand fun-loving, on the other hand ever drinking (and when he got too drunk, making-a-fool-of-himself) husband. When things got really difficult, that's when Margaret called in Aunt Ellie (played by Rachel Griffith) to come-in as a de-facto nanny ...
Presented here are then the elements of a very nice, if at times very sad, intertwining story reminding us all that when people act strangely, there's often enough a story behind that strangeness.
Not necessarily for really little kids, the film would certainly be a nice one from preteens and teenagers particularly ones with relatives who at times may seem rather odd.
Good job Disney, Good job!
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
Monday, December 30, 2013
Mandela: Long Walk to Freedom [2013]
MPAA (PG-13) CNS/USCCB (A-III) ChicagoSuntimes (3 Stars) RE.com (2 Stars) AVClub (C) Fr. Dennis (4 Stars)
IMDb listing
Cape Times (K. Aftab) review coverage
Johannesburg Mail & Guardian (S. De Waal) review coverage
The Sowetan (SAPA) review coverage
The Nairobi Standard review coverage
The Jamaica Gleaner coverage
The Times of India coverage
The Guardian (U.K.) (H. Barnes) review
CNS/USCCB (J. McCarthy) review
ChicagoSunTimes (R. Roeper) review
RE.com (S. Abrams) review
AVClub (A.A. Dowd) review
Mandela: Long Walk to Freedom [2013] (directed by Justin Chadwick, screenplay by William Nicholson, based on South African freedom fighter / South Africa's 1st post-Apartheid President Nelson Mandela's own autobiography by the same name) is one of several momentous biopics released this year. Others reviewed here include Jobs [2013] and Walesa: Man of Hope [2013].
As I've written in my reviews of the other two biopics, these are films that are often hard to difficult to make honestly. Often films made about "Great Leaders" become either fawning works of adulation or hatchet jobs depending on persuasions of the film-makers regarding their subjects. (And if one is honest, reviews of such films depend largely on the persuasions of the reviewers regarding the persons in question as well ;-). Still, if a "Great Leader" biopic is done right, the viewer is given an insight into _why_ the particular Leader proved "Great"/truly Great. I don't want to either repeat or add to the reviews that I wrote about the other two "great" / great men about whom significant and often insightful biopics were made this year. Instead I wish to refer readers to the reviews that I wrote of those two films and continue here with consideration of the current film.
So how does the current biopic on Nelson Mandela (with Idris Elba playing the title role) fare? Well, as I already noted above and in my previous reviews, a credible "Great Leader" biopic can no longer portray said GL as simply "a living saint." An added twist to the portrayal of Nelson Mandela here is that the source material is his own autobiography. So there is a certain (and appropriate) Confessional (as in St. Augustine's Confessions) quality to the presentation of Mandela's life here:
He's portrayed early in life as a womanizer, as being at minimum emotionally abusive to his first wife Evelyn Mase-Mandela (played in the film by Terry Pheto) and in any case an adulterer to her, and finally rather dismissive (at least at this stage of his life) of Christian religion/morality (Note here that in addition to having to deal with the reality that Christian religion was often being used by whites of the time to justify somehow their views of "white superiority" (both tragic and stupid since neither Jesus nor any of his Apostles nor the overwhelming majority of his early disciples were white...) Evelyn herself was apparently a Jehovah's Witness, that is, a member of a Protestant sect that is rarely particularly easy to reason with...).
We are also presented with Mandela's own reasoning (rather than that of propagandists on either side) of why in the aftermath of the 1960 Sharpesville Massacre, as leader of the African National Congress already for some time, he made the momentous if ever controversial decision to set-aside the ANC's previous non-violent tactics and instead embrace a strategy that included a campaign of sabotage to bring pressure on the South African apartheid-era government to accede to the ANC's consistent demand for a nonracial South Africa. Eventually, of course, Mandela was captured. Since he had been leading a campaign that now included violence against the State he was convicted of Treason against said State (he and the other ANC leaders arrested, of course, rejected the authority of a State that denied full-citizenship to the vast majority of its people...) and sentenced to life imprisonment. Thus Mandela spent the next 18 years (from 1964 to 1982 at South Africa's notorious Robben Island prison.
The film portrays well the personal sufferings that such a lengthy stay in prison entailed. During his time on Robben Island, his mother and his oldest son died (the latter in a car accident), and was unable to see his two young daughters whom he had with his second wife, Winnie Madikizela-Mandela (played by Naomie Harris) until they were 16. His youngest daughter was 3 when he was arrested ... During this time, Winnie Madikizela-Mandela, a college educated social worker when they first met, herself was arrested, jailed and radicalized against the Apartheid state.
Finally, viewers are given Nelson Mandela's version of events as to why after his final release in 1990 from South African state custody he and his wife during the whole of his imprisonment parted ways: Winnie had simply become far more radical in her opposition to the white-dominated Apartheid state than he was. In a sense, Nelson Mandela was given a "devil's choice" with regard to Winnie (and others like her): He could have chosen to stand by her (and others) _who had stood by him_ while he was in prison even at the cost of _enormous suffering_ on their part (many were killed, many lost loved ones), or FOR THE SAKE OF THE CAUSE for which ALL OF THEM had suffered (for an end to Apartheid), he could make peace with the regime which had oppressed them all.
Basically Nelson's, Winnie's et al's, dilemma became the classic one of Forgiveness. How can one forgive those who've TRULY HURT YOU, and NOT JUST YOU but ALL KINDS OF PEOPLE, LOVED ONES, AROUND YOU? Yet it was clear from the film / Mandela's own autobiography that he came to the conclusion that there was NO OTHER WAY FORWARD OTHER THAN FORGIVENESS. In a televised speech near the end of the film, Nelson Mandela is portrayed as telling his supporters that there was simply no other way forward telling his followers that "We can not win a war, but we CAN win an election." In a sense, NO ONE WOULD WIN with further conflict, but EVERYONE WOULD win with a just peace.
And so it was. The Whites proved happy to be able to relinquish power PEACEFULLY after convinced that they were not going to be lynched once they did. And South Africa, with all its problems since, has lived _happily ever after_ ever since.
I noted that the dilemma faced by the Mandelas and the ANC movement as a whole was the classic one of Forgiveness, because while perhaps initially difficult to grasp, Forgiveness has always been seen in the Christian faith as being for the benefit/well-being of all concerned - as much for the one doing the forgiving as the one being forgiven. Perhaps the situation in South Africa was so stark that the wisdom of forgiving one's enemies was more clearly seen than in more mundane cases. Nevertheless, Nelson Mandela was certainly right when he came to the conclusion, perhaps during his time in prison, that it's actually easier to Love than to Hate. For carrying Hate / Resentment becomes an enormous burden.
As such, of all the recent "Great Leader" films that were made, this one about Nelson Mandela becomes the easiest for us regular folks to apply. For we all have people that we need to make peace with / forgive.
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
IMDb listing
Cape Times (K. Aftab) review coverage
Johannesburg Mail & Guardian (S. De Waal) review coverage
The Sowetan (SAPA) review coverage
The Nairobi Standard review coverage
The Jamaica Gleaner coverage
The Times of India coverage
The Guardian (U.K.) (H. Barnes) review
CNS/USCCB (J. McCarthy) review
ChicagoSunTimes (R. Roeper) review
RE.com (S. Abrams) review
AVClub (A.A. Dowd) review
Mandela: Long Walk to Freedom [2013] (directed by Justin Chadwick, screenplay by William Nicholson, based on South African freedom fighter / South Africa's 1st post-Apartheid President Nelson Mandela's own autobiography by the same name) is one of several momentous biopics released this year. Others reviewed here include Jobs [2013] and Walesa: Man of Hope [2013].
As I've written in my reviews of the other two biopics, these are films that are often hard to difficult to make honestly. Often films made about "Great Leaders" become either fawning works of adulation or hatchet jobs depending on persuasions of the film-makers regarding their subjects. (And if one is honest, reviews of such films depend largely on the persuasions of the reviewers regarding the persons in question as well ;-). Still, if a "Great Leader" biopic is done right, the viewer is given an insight into _why_ the particular Leader proved "Great"/truly Great. I don't want to either repeat or add to the reviews that I wrote about the other two "great" / great men about whom significant and often insightful biopics were made this year. Instead I wish to refer readers to the reviews that I wrote of those two films and continue here with consideration of the current film.
So how does the current biopic on Nelson Mandela (with Idris Elba playing the title role) fare? Well, as I already noted above and in my previous reviews, a credible "Great Leader" biopic can no longer portray said GL as simply "a living saint." An added twist to the portrayal of Nelson Mandela here is that the source material is his own autobiography. So there is a certain (and appropriate) Confessional (as in St. Augustine's Confessions) quality to the presentation of Mandela's life here:
He's portrayed early in life as a womanizer, as being at minimum emotionally abusive to his first wife Evelyn Mase-Mandela (played in the film by Terry Pheto) and in any case an adulterer to her, and finally rather dismissive (at least at this stage of his life) of Christian religion/morality (Note here that in addition to having to deal with the reality that Christian religion was often being used by whites of the time to justify somehow their views of "white superiority" (both tragic and stupid since neither Jesus nor any of his Apostles nor the overwhelming majority of his early disciples were white...) Evelyn herself was apparently a Jehovah's Witness, that is, a member of a Protestant sect that is rarely particularly easy to reason with...).
We are also presented with Mandela's own reasoning (rather than that of propagandists on either side) of why in the aftermath of the 1960 Sharpesville Massacre, as leader of the African National Congress already for some time, he made the momentous if ever controversial decision to set-aside the ANC's previous non-violent tactics and instead embrace a strategy that included a campaign of sabotage to bring pressure on the South African apartheid-era government to accede to the ANC's consistent demand for a nonracial South Africa. Eventually, of course, Mandela was captured. Since he had been leading a campaign that now included violence against the State he was convicted of Treason against said State (he and the other ANC leaders arrested, of course, rejected the authority of a State that denied full-citizenship to the vast majority of its people...) and sentenced to life imprisonment. Thus Mandela spent the next 18 years (from 1964 to 1982 at South Africa's notorious Robben Island prison.
The film portrays well the personal sufferings that such a lengthy stay in prison entailed. During his time on Robben Island, his mother and his oldest son died (the latter in a car accident), and was unable to see his two young daughters whom he had with his second wife, Winnie Madikizela-Mandela (played by Naomie Harris) until they were 16. His youngest daughter was 3 when he was arrested ... During this time, Winnie Madikizela-Mandela, a college educated social worker when they first met, herself was arrested, jailed and radicalized against the Apartheid state.
Finally, viewers are given Nelson Mandela's version of events as to why after his final release in 1990 from South African state custody he and his wife during the whole of his imprisonment parted ways: Winnie had simply become far more radical in her opposition to the white-dominated Apartheid state than he was. In a sense, Nelson Mandela was given a "devil's choice" with regard to Winnie (and others like her): He could have chosen to stand by her (and others) _who had stood by him_ while he was in prison even at the cost of _enormous suffering_ on their part (many were killed, many lost loved ones), or FOR THE SAKE OF THE CAUSE for which ALL OF THEM had suffered (for an end to Apartheid), he could make peace with the regime which had oppressed them all.
Basically Nelson's, Winnie's et al's, dilemma became the classic one of Forgiveness. How can one forgive those who've TRULY HURT YOU, and NOT JUST YOU but ALL KINDS OF PEOPLE, LOVED ONES, AROUND YOU? Yet it was clear from the film / Mandela's own autobiography that he came to the conclusion that there was NO OTHER WAY FORWARD OTHER THAN FORGIVENESS. In a televised speech near the end of the film, Nelson Mandela is portrayed as telling his supporters that there was simply no other way forward telling his followers that "We can not win a war, but we CAN win an election." In a sense, NO ONE WOULD WIN with further conflict, but EVERYONE WOULD win with a just peace.
And so it was. The Whites proved happy to be able to relinquish power PEACEFULLY after convinced that they were not going to be lynched once they did. And South Africa, with all its problems since, has lived _happily ever after_ ever since.
I noted that the dilemma faced by the Mandelas and the ANC movement as a whole was the classic one of Forgiveness, because while perhaps initially difficult to grasp, Forgiveness has always been seen in the Christian faith as being for the benefit/well-being of all concerned - as much for the one doing the forgiving as the one being forgiven. Perhaps the situation in South Africa was so stark that the wisdom of forgiving one's enemies was more clearly seen than in more mundane cases. Nevertheless, Nelson Mandela was certainly right when he came to the conclusion, perhaps during his time in prison, that it's actually easier to Love than to Hate. For carrying Hate / Resentment becomes an enormous burden.
As such, of all the recent "Great Leader" films that were made, this one about Nelson Mandela becomes the easiest for us regular folks to apply. For we all have people that we need to make peace with / forgive.
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >>
Subscribe to:
Posts (Atom)