Captain America: The First Avenger

MPAA (PG-13) CNS/USCCB (A-II) Roger Ebert (3 stars) Fr. Dennis (3 stars)

IMDb listing
http://www.imdb.com/title/tt0458339/
CNS/USCCB review -
http://www.catholicnews.com/data/movies/11mv081.htm
Roger Ebert’s Review -
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110720/REVIEWS/110729997

Captain America: The First Avenger (directed by Joe Johnson, screenplay by Christopher Markus and Stephen McFeely) is one of a slew of comic book superhero movies to be released in recent months.  First published in the months leading up to the U.S. entry into World War II, the Captain America comic book series published by Marvel Comics were conceived as being intentionally patriotic.  The arguably propagandistic past of the Captain America character proved both an opportunity and a challenge to the makers of the current film.  And in my opinion, Johnson, et al _succeeded_ in their task.

The opportunity that director Johnson and the writers were able to identify and then advantage of was to set the movie in the America of the Captain America comic books of the 1940s.   So the comic’s protagonist Steve Rogers (played by Chris Evans) is introduced as a short, scrawny 90 pound teenager from Brooklyn who spent most of his life standing up to (and getting beaten-up) by assorted bullies.  With the U.S. entry into the war, Rogers tries to enlist in the army.  Indeed, he tries to enlist four separate times, but gets rejected - 4F - each time for simply being unfit for service.  The head of the local enlistment board tells him, “Son, I’m just saving your life.”  

Meeting a long time friend James Buchanan “Bucky” Barnes (played by Sabastian Stan), who as per the movie saved him from all kinds of bullies over the years and who’s about to “ship out” to Europe to go to war, Rogers goes with him to a “Future Exposition” in New York.  There, at yet another recruiting booth, Rogers tries yet again to enlist.  There he catches the eye of a German accented scientist Dr. Abraham Erskine (played by Stanley Tucci) who’s moved by Roger’s desire to serve.   So he comes over to Rogers and asks him, “So you want to kill Nazis?”  Rogers answers yes.  Dr. Erskine goes through his recruiting record and tells him that he could help him.  He’s responsible for a military experiment that would make him much, much stronger.  Roger’s agrees and Dr. Erskine changes his recruitment classification from 4F to A1 and Rogers is inducted.

Colonel Chester Philips (played by Tommy Lee Jones) responsible for Roger’s basic training is utterly unimpressed with Rogers who is a foot shorter than all the other recruits and simply can’t keep up with the others in their physical fitness drills.  Still the good German (and _probably_ Jewish) immigrant doctor insists that Rogers _be the first_ of the soldiers to be given the experimental treatment that he has devised to make him stronger.  When Rogers asks about the treatment, whether it’s ever been tried before, Dr. Erskine answers that yes, one fanatical Nazi soldier had demanded the treatment because it promised to make him invincible.  Dr.Erskine tells Rogers that the treatment went awry with that soldier and that the consequences of that experiment convinced him that the treatment should be applied only to the weak because they would appreciate the gift of becoming strong. 

The treatment involved injecting the muscles of the subject with a serum.  To do so, Rogers is placed in a metal casket fitted with syringes to inject the muscles of his body all at the same time. Then a good deal of electrical current is run through him and after a scene involving sparks and electrical arcs befitting Frankenstein the casket is opened and Rogers is now a foot taller and much, much stronger.  Almost immediately after Rogers steps out of his casket, Dr. Erskine is assassinated right in front of him by someone who turns out to be a German agent who’s been watching the experiment and steals the remainder of Dr. Erskine’s serum.  Rogers, now with super human speed and strength runs down the agent, who swallows a cyanide pill to avoid interrogation but not before ominously telling Rogers, “I’m a member of Hydra.  You kill one of us, and two others will spring in our place.”

An instant hero for killing the German agent and now looking like a _perfect physical specimen_ of a soldier, Rogers is given the name “Captain America” put in a red-white-and-blue uniform, cape and mask along with a shield and is then used by the Army to recruit _other soldiers_ and sell war bonds.  Damn.  What Rogers _really wanted to do_ was to actually serve/fight.

Of course he gets his chance.  And the mysterious group, Hydra, is headed by non-other the Nazi soldier, Johann Schmidt (played by Hugo Weaving) who had undergone Dr. Erskine’s treatment.  Schmidt also has a secret ... 

Helping Rogers / Captain America is Peggy Carter (played by Hayley Atwell) a British agent who had served as an assistant to Dr. Erskine’s work as well as the Howard Hughes-like American industrialist Howard Stark (played by Dominic Cooper) who becomes important as the father of Tony Stark of Marvel Comic’s Iron Man series (Tony Stark being played recently in film versions of that series by Robert Downey, Jr).

Captain America comes to do many great things during the War, coming to fight, above all, this Johann Schmidt.  Near the end of the war though, Captain America is able to save the United States from a devastating air-attack planned by Schmidt.  In the course of bringing down the giant Nazi flying wing that would have wreaked havoc on the whole of the American seaboard, Captain America is brought down somewhere over the Arctic wastelands.  He’s lost forever?  Or is he? 

I have to say that I enjoyed the film.  Yes, the story is of a comic book quality, the characters being larger-than-life and having only the basic outlines of personality.  But the story was based on a World War II era comic book.  And then the story presented the origins of “Captain America’s” persona in a sympathetic manner.  He was a scrawny “kid from Brooklyn” who was made strong with the aid of an immigrant scientist and who used that strength to do basically good, even though many times those around him didn’t know how best to use him. 

I’m not sure how this movie will fly overseas.  In some some countries, the movie was renamed “The First Avenger” rather than “Captain America.”  But I do have to say that all things considered, the movie was done very well.  It portrayed World War II era America very well and yes America to this day would relate to that “kid from Brooklyn” made quasi-miraculously strong but seeking to use that strength then (generally) for the good of all.


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Project Nim [2011]

MPAA (PG-13)  Roger Ebert (3 1/2 stars) Fr. Dennis (3 stars)

IMDb listing
Roger Ebert’s review

Project Nim (directed by James Marsh) is a documentary about the life of Nim (Nov 13, 1973 - Mar 10, 2000), a chimpanzee, who two weeks after being born at a Oklahoma primate research facility was taken from his chimpanzee mother to be raised by a  human family  living in an upscale home in Manhattan for the first year of his life.  Afterwards, Nim studied for four years as part of a Columbia University study directed by Dr. Herbert S. Terrace to determine if a chimpanzee living among human beings could acquire true human language skills.  Since chimpanzees can not make human sounds, Nim was taught signs from American Sign Language (ASL) instead.  The key purpose of the study was to test famed linguist Noam Chomsky’s thesis that only humans are wired for true language, consisting not just of words but also of grammar.  Since humans and chimps hold 98.7% of their DNA in common, it seemed reasonable to believe that a chimp raised among humans could learn to communicate in a human way.

During the 5 year study, Nim did learn some 120 signs, though Terrace remained unconvinced that Nim learned to use those signs to communicate in a truly human way.  Nim could make himself understood.  On the other hand, his sign constructions proved very short and repetitive and he would sign them until he got what he wanted.  Examples of some of Nim’s sign constructions reported in Terrace’s group’s research are given in the wikipedia article on Nim.

The documentary continued to follow Nim’s quite harrowing life after Terrace’s study was completed.  Nim was first quite abruptly returned to the Oklahoma research facility where he was born.  Then along with _all the other chimps_ at the facility Nim was sold to an upstate New York medical research lab for medical experiments.  Some of Nim’s human friends from both Oklahoma and Columbia University intervened and got Nim a lawyer.  Soon enough Nim was bought by a Texan animal shelter whose owners, while well meaning, were not the best equipped to deal with the needs of a, by then, rather traumatized, adult chimpanzee. (The animal shelter specialized in recovering horses and other four legged hoofed animals).  In the end after an ownership change at the Texas animal shelter and with advice of one of Nim’s human friends from the Oklahoma research facility, other chimps were brought to the Texan animal shelter to give Nim (and each other) company.  Nim died perhaps somewhat at peace of an apparent heart attack at the animal shelter at the age of 26. 

I found the documentary to be compelling in a number of ways:

First, my entire family has always loved both plants and animals.  My mother had a great green thumb and would talk to the plants as she watered them.  And the rest of us always just loved animals.  I’ve always wondered what animals are thinking.  (I was convinced that a neighorhood dog living near to where I was studying when I was going to USC, had a sense of humor and did things to piss-off the dogs of another neighboring house).  As such studies like the language acquisition study with Nim simply _fascinate_ me.  However, what would have fascinated me the most would have been to see if a chimp like Nim could articulate either/both self awareness (“I’m happy, I’m sad...”) and/or empathy (be able to ask “Are you happy, sad...?)  From bits that I was able to extract from the movie as well as from a recent interview by NPR’s Terri Gross for her show Fresh Air of several of the people who were part of Nim’s life and were featured in the documentary, Nim was able to sign “I’m angry” and “I’m sorry.”  I just wonder if he was able to articulate (via signing) other emotional states.

Second, to the documentary makers’ credit, they never lost sight of the fact that Nim was chimp, that is, _an animal_.  Yes, the study for which Nim _was being used for_ was to see if a chimpanzee like Nim could learn to communicate in a human way (using a human sign language).  However, the documentary makers freely included recollections of Nim’s human handlers and video clips of Nim behaving like an animal – knocking things down, biting people when he was upset, and progressively becoming far stronger than his human handlers and thus becoming increasingly dangerous to work with.  Nim's increasing strength and the increasing danger associated with working with him in close quarters was the main reason why Terrace ended the language acquisition study with him as Nim approached five years of age.  Indeed, one of Terrace's assistants had been quite seriously hurt by Nim.

Third, _also_ to the documentary makers’ credit, they allowed Nim’s human handlers to be themselves as well.  Let’s face it, in the 1970s the kind of people who would have been interested in working on studies such as this would have been skewed toward a “hippie like” lifestyle complete with the drugs (Yes, Nim came to request and smoke pot with his handlers at times) and sexual concerns that make the average Catholic blush.  Nim’s surrogate human mother during the first year of Nim’s life, for instance, had been a psychology student.  (Remember, again, that this study was conducted in the mid-1970s).  So _she_ was interested in such things Nim’s masturbatory behavior and so forth.  Honestly, it wouldn’t even occur to me to be interested in Nim's masturbatory behavior ;-).  But Nim was, indeed, _an animal_ studied in close quarters living among human beings in a human family.  So I suppose, someone trained _Freudian psychology_ could find this aspect of Nim’s life interesting.

All this is to say, that the documentary is very honest and treats both Nim and the people who worked with Nim in a very frank and similarly honest way.  This same frankness, however, would probably _not_ make this movie a particularly good candidate for a "good family film."

Finally, the second half of the documentary, which follows Nim’s life _after_ Terrace’s language acquisition study was completed, does present the _full horror_ (to the animals involved) of animal research.

Yet, even as the documenary presents the horror of primate medical experimentation to the documentary’s viewers (again, Nim along with the other chimpanzees of the Oklahoma facility were sold at one point to a New York medical research lab, where they were caged in really small cages and used to test emerging medications), the presentation does beg the question: Would it be better to conduct medical research on orphans in Ireland or Australia or on inmates in the United States or Guatemala?  (All these classes of _vulnerable people_ were used in the past for medical research).  So the documentary does ask us to take a hard look at medical research, period.  And it does ask us to insist that medical research be done _ethically_ and _humanely_ in _any case_. 

So who would I recommend this movie to?  I would recommend it to a college aged young adult and adult audience, though _not_ to kids or even teens (I would have rated the movie R rather than PG-13).  Some of the references and even video portrayals of Nim's violence I did find disturbing (and would think that most kids and many teens would find very problematic).  Still, I found the movie to be _very interesting_ precisely because it _doesn't_ present either Nim or his life in warm and fuzzy way.  The viewer was reminded repeated that Nim was _not a human being_ but a chimp, closely related to human beings perhaps, but certainly an animal nonetheless.  As such, the movie's presentation of the Nim's similarities and differences to us makes for truly a great _adult_ discussion piece.


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Winnie the Pooh

MPAA (G) CNS/USCCB (A-I) Roger Ebert (3 stars) Fr. Dennis (4 stars)

IMDb Listing -
http://www.imdb.com/title/tt1449283/
CNS/USCCB Review -
http://www.catholicnews.com/data/movies/11mv080.htm
Roger Ebert’s Review -
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110713/REVIEWS/110719992

Winnie the Pooh (directed by Stephen J. Anderson and Don Hall and written by Stephen J. Anderson, Clio Chiang and others) is a truly lovely, little kid friendly, and interestingly enough _book friendly_ screen adaptation (by Disney) of the classic children’s story by the same name. 

I added, “book friendly” to the list of descriptors for this adaptation because throughout the movie viewers are reminded that Winnie the Pooh began as a children’s book.   There are scenes in the movie in which the animated characters walk around on screen acting out the story even as the narrator (voiced by John Cleese) reads the story appearing in big black story-book-like letters above them.  Indeed, at one point the various characters climb out of a pit that they find themselves in using “a ladder made of letters” from the previous page, a lovely device that we remember from our story-book reading days.

The Winnie the Pooh stories have been around since the 1920s.  So a legitimate question could be asked, does this movie adaptation still “work” for the 3-5 year olds of today?   About 80% of the people at the matinee at which I saw this movie were little kids (3-5 year olds).  It seemed to me that the vast majority of the kids enjoyed the film, laughing along with the story and even at times that I didn’t necessarily immediately understand why (the animation was very cute ;-).

So I do believe that this adaptation of the story remains a safe bet for the 3-5 year old crowd.  The cartoon characters are very well drawn and the voices -- Winnie the Pooh / Tigger (voiced by Jim Cummings), Eeyore (voiced by Bud Luckey), Christopher Robin (voiced by Jack Boulter), Owl (voiced by Craig Ferguson), Piglet (voiced Travis Oates), Kanga (voiced by Kristen Anderson-Lopez), Roo (voiced Wyatt Dean Hall), Rabbit (voiced by Tom Kenny), Backson (voiced but never seen by Huell Howser) – are excellent. 

Also refreshing for an older fogey like me, is the slow, lazy pacing of the story.  At a time when movies tend toward ever faster action, and more explosive special effects, Winnie the Pooh’s set in the summer time, at Christopher Robin’s farm somewhere in the countryside near a wood, somewhere.  So there’s no rush.  And Winnie the Pooh's "Very Important Thing to Do" is simply to get a hold of some honey to fill his ever more grumbling tummy.  And the story unfolds just, just fine from there ;-).


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Through the Wormhole with Morgan Freeman (television series on the Science Channel)

Through the Wormhole (narrated by Morgan Freeman, who is also one of the series’ executive producers) is a television series currently playing in its second season on the Science Channel that I believe deserves mention on this blog. As I noted before, I do see the purview of my blog to be primarily movies.  Movies lend themselves much more easily for review than television series because movies tend to be over in 2-3 hours while television series go on through multiple episodes or even for many years.  As such, one can’t give a definitive verdict on a television series until it’s over.  Still, as noted in my review of the television series on the Borgias which played recently on the Showtime cable channel network, I do see value in reviewing the occasional television series on account of its theme, quality and/or notoriety.

Perhaps taking some inspiration from a number of fairly successful, religiously themed series that have played on the History Channel (series of varying quality, I would add), Through the Wormhole is a remarkably brave series which seeks to discuss questions that touch on both science and religion and does so in a remarkably intelligent way.  

Since it’s first season last year, I have recommended this show to teenagers and their parents and to my joy I’ve found college students from my parish who are fans.

Each episode of the show deals with a rather fundamental topic.  The first seasons’s series topics were: “Is there a Creator?” “The riddle of Black Holes” “Is Time Travel Possible?” “What happened before the Beginning?” “How did we get here? ” “Are we Alone?” “What are we really made of?”  The second season’s topics were: “Is there Life after Death?”, “Is there an Edge to the Universe?”, “Does Time Really Exist?”, “Are There More Than Three Dimensions?”, “Is There a Sixth Sense?”, “How Does the Universe Work?”, “Faster than Light”, “Can We Live Forever?”

Each topic is introduced by Morgan Freeman by means of a short episode/parable from his childhood, reminding us that these are often questions that we ask even as kids. Then the show presents various remarkable contemporary/cutting edge approaches to these questions which encourage viewers (and hopefully, the young) to expand their horizons to not be content with accepting past pat answers.

The series is audacious but it's also _not stupid_.  Quantum mechanics is a field that has long promised to turn upside down our previous understandings of reality.  Already in 1947, C.S. Lewis argued that the indeterminism of quantum mechanics (see the Heisenberg Uncertainty Principle) could offer a fundamental basis for the existence of Free Will.  Such was the state of the argument that as I remembered it when I was in college, grad school and the seminary in the 1980s-90s.  It's a generation later and it's a joy to see a popular television series so joyfully swimming the seas of quantum theory and applying it in ways that a generation ago, very few would dare. The same quantum mechanical phenomenon called entanglement that could make time travel possible could also allow a record of our memories (our "soul"?) to exist outside of our bodies basically anywhere in the larger cosmos (wow! ;-).

As such, I honestly love this series.  I do believe that it’s good for everybody to be challenged, and I think it is incredibly important for especially the young to dream and to wonder and _to see value in doing that_.   

Indeed, we live in a time when science itself through black holes and quantum mechanics is telling us that the universe is more wonderful than we ever imagined.  And every generation ought to have the right to bask in that wonder and then see if it could touch the face of God.  

“Look up at the sky, and see who made the stars” - Isaiah 40:26


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Harry Potter and the Deathly Hallows - Part 2 [2011]

MPAA (PG-13) CNS/USCCB (A-II) Roger Ebert (3 ½ stars) Fr. Dennis (4 stars on technical merit, 2 stars on substance)

IMDb listing -
http://www.imdb.com/title/tt1201607/
CNS/USCCB review -
http://www.catholicnews.com/data/movies/11mv079.htm
Roger Ebert’s review -
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110713/REVIEWS/110719994

As I wrote in my review of Harry Potter and the Deathly Hallows, Part 1 (this movie, Part 2, obviously being a continuation), I confess that I never particularly got into the Harry Potter craze.  While not fanatical about my disinterest in the series, I always thought that J.K. Rowling’s Harry Potter books and the movies that they inspired simply capitalized on popular trends of late 1980s-1990s notably on New Age spirituality and even more tendaciously on Wicca a new-fangled religion (the “poor” Scientologists could only wish that they had such a fanatical public relations crew ...)  nominally seeking to “recover” a “lost” pagan-feminist golden age, which after all is said and done still seems to find its clearest expression when it is presented with a British accent – WASP-ish just without the P. 

Now don’t get me wrong.  My ancestry is Slavic (mostly Czech).  The small "ginger bread" looking house in which my grandmother was born in a cute little village (with its cute Romanesque 1000 year old Catholic Church still standing on the hill) in the rolling picturesque Bohemian countryside still belongs to an aunt.  And just like my dad and the relatives of his generation, I and the relatives of my generation still spent a fair number of summer vacations there when I was growing up.  So I can mushroom pick with the best of them, and I can berry pick fairly well as well.  I can readily identify plants of that region that can serve as a remedies for arthritis and know a good deal of the stories -- Christian and pre-Christian – associated with the region where my family came from .  As such, I do believe that I have an appreciation of the land and of nature closer to that of a Native American _who still knows his/her traditions well_ or even that of a Haitian voodoo practitioner _who knows his or her traditions well_ (and I used to work in a parish with a sizable Haitian population), than what a modern-day tattoo covered Chicago Wiccan “witch” residing in modern-day Lincoln Park would know about these things.

So my sympathies are far more with Verushka the Witch of the recent animated movie Hoodwinked Too, where poor Verushka was portrayed as evil, NOT because she was a witch but because she was Russian accented, than anybody really from Hogwarts and the rest of Harry Potter’s world. 

This is not to say that the Harry Potter books and movies, even _this_ climactic movie are without value.  As I wrote before, Harry Potter (played by Daniel Radcliffe) and his friends Hermoine Granger (played by Emma Watson) and Ron Weasley (played by Rupert Grint) are nice.  And friendship is good.  They “fight evil” (whatever evil in this series actually means) in Lord Voldemort (played by Ralph Fiennes).  And this movie is certainly befitting of its climactic place in the saga.  Obviously, much much happens and much gets resolved in this final installment in the story. 

But I guess, honestly, I’ve just never ever been swept-up by the Harry Potter craze.  All kinds of people have, all kinds of _good people_ have.  I even have a Czech niece “back in the old country” who as a twelve year old was reading the Harry Potter books in translation.  And even some otherwise rather conservative Catholics from my parish are Harry Potter fans.  I’ve just never been one of them.

Bottom line, if you’ve liked Harry Potter, you’ll certainly like this finale.  If not, eh ... you’ll be like me.  But in any case, whether you like Harry Potter or not, God bless you all ;-).

ADDENDUM:

If you'd actually like to read as comprehensive an article as one could find on witchcraft from the Catholic Church's traditional position on the subject, may I suggest this article from the old Catholic Encyclopedia.


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A Better Life

MPAA (PG-13) CNS/USCCB () Roger Ebert (3 1/2 stars) Fr. Dennis (3 1/2 stars)

IMDb listing -
http://www.imdb.com/title/tt1554091/
CNS/USCCB review -
Roger Ebert’s review -
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110706/REVIEWS/110709995

A Better Life (directed by Chris Weitz, screenplay by Eric Eason and story by Roger L. Simon) is IMHO a remarkably good adaptation of the basic storyline of the classic post-war Italian film by Vittorio De Sica, Bicycle Thieves.

In this contemporary version, a humble Mexican (undocumented) gardener named Carlos Galindo (played by Damián Bichir) living and working in Los Angeles trying to create a better life for himself and his 14-year old son Luis (played by José Julián) is offered by his partner/boss, Blasco Martinez (played by Joaquín Cosio) Blosco’s truck along with his gardening tools.  Blasco has made his nest egg and is going back to Mexico to buy his “ranchito” (little farm).  Carlos understands the benefits of having his own truck and tools, but doesn’t really have the money. 

The consequences of not taking up his boss’ offer become clear to Carlos as well.  He’s been working with Blosco for years.  Without Blosco’s truck (and clients), he realizes that he’s going to be back on a street corner competing for work with countless other equally desperate undocumented workers.  So after a few days, Carlos asks his married sister Anita (played by Dolores Heredia), who also lives in Los Angeles, for some help with the money.  Anita comes through giving him the money but without telling her usually stingy husband, and Carlos buys the truck.

So smiling from ear-to-ear, proud as can be, Carlos heads-off with his truck and tools to the corner where he knows Mexican daylaborers wait looking for work, and even hires a man who helped him out a few days earlier when he was still undecided about buying the truck.  However, Carlos proves too trusting.  While he’s up on a palm tree trimming the branches, this man, Santiago (played by Carlos Linares) steals his truck.  And only then does Carlos realize that all he knew about him was his first name (if that even was his name ...).

Devastated, Carlos returns home without his truck.  It’s at this point that Luis, his son, who up until now had been a typically moody young teenager, who given his latchkey existence had even flirted with joining a gang, realizes the seriousness of what just happened and decides to help his father then look for the truck. 

And the two do have some leads.  Carlos may not have known Santiago all that well, but some of the men who wait at that street corner for work know a bit more.

The rest of the movie continues to follow the basic trajectory of the Vittorio de Sica’s Bicycle Thieves, with appropriate adaptations.  In this story, Carlos was Mexican and undocumented after all...  His son is also a somewhat older than son of the father in De Sica’s story.  Still the film works and tells a very, very poignant and _tearful_ story.


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Horrible Bosses [2011]

MPAA (R) CNS/USCCB (O) Roger Ebert (3 ½ stars) Fr Dennis (2 ½ stars)

IMDb listing
CNS/USCCB review
Roger Ebert’s review


Horrible Bosses (directed by Seth Gordon and cowritten by Michael Markowitz, John Francis Daley and Jonathan Goldstein) is a dark appropriately R-rated comedy which indulges the fantasy of “knocking off” an irritating or overbearing boss.

Three friends, Nick Hendricks (played by Jason Bateman), Dale Arbus (played by Charlie Day) and Kurt Buckman (played by Jason Sukeikis) each find themselves in unbearable work situations. 

Nick, a “suit” in some kind of an accounting firm works for Dave Harken (played by Kevin Spacey) a sadistic man who’s willing to fire the firm’s head of maintenance when he catches Nick in a lie.  The surveillance cam had time-stamped Nick’s entry into the office at 8:02:35 AM one morning and Dave asks Nick about this, he replies that he “couldn’t have been more than a minute late.” “So the clock on the surveillance cam must be wrong, and must have been wrong for a very long time." Dave reaches for the phone to call in the head maintenance man to fire him.  Nick unwilling to see an innocent man fired over this confesses that “he may have been two to two and a half minutes late.”  This is the kind of stuff you’d imagine under Stalin or Saddam Hussein...

Dale finds himself a dental assistant for a very horny Dr. Julia Harris, D.D.S. (played by Jennifer Aniston) who tells Dale that unless he sleeps with her, she’ll tell his fiancé that he’s sleeping with her.  This actually sounds a lot like the story of Joseph in Genesis where Joseph ends up in a dungeon after refusing to sleep with his Egyptian master’s wife.  Since he refused to do so, she denounced him for attempting to do so ... (Genesis 39:1-23).  Why would Dale put up with this extortion?  Well, found himself “registered for life” on a _sex offender list_ for “publicly exposing himself on a playground.”  Awful, huh?  Well, he was caught by a police officer urinating on a tree after midnight one night as he was coming home from a bar located next to the playground... "It's all a terrible 'zoning error'" he protests to his two friends, who find Dale's tragic story worthy of endless ribbing at Dale's expense.  Being a “registered sex offender” _no one_ but someone like Dr. Harris would hire Dale.

Kurt was happy working as an accountant for a small chemical company, until the founder, Jack Pelitt (played by Donald Sutherland) died suddenly of a heart attack, leaving the firm to his coke-head son, Bobby Pelitt (played by Colin Farrell) bent on driving the firm into the ground, killing a whole lot of innocent workers in all kinds of third world countries in the process. 

So the three would meet frequently in a bar, talking of their woes, and the idea enters their heads (a la Raskolnikov in Dostoyevsky’s Crime and Punishment) that the world would be a whole lot better if these three parasitic/evil doer bosses were dead.

But how to do so?  Well they first try to hire a hit man.  They ask the assistant on Nick’s Onstar-like GPS service for his Toyota Prius to “find them a bar in the seediest part of town.”  Indian accented “George” (voice by Brian George) actually named Atmanand but nobody could pronounce his name, so that’s why he went by “George” tells them that their service doesn’t list bars by “crime density.”  Nevertheless, he finds them an appropriate dive, where after a few “missteps” they find a man with an “Unspeakable first name” (at least on this blog ;-) Jones (played by Jamie Foxx) who says that he’ll help them for five grand given to him in a briefcase.  Actually he asks initially for far more, but he’s a terrible negotiator ;-) The three agree.

The next day they meet “Unspeakable name” Jones with their five grand in a brief case, which Kurt notes is “far larger” than the stack of 20 dollar bills equaling five thousand dollars required ;-).  “Unspeakable name” Jones then tells them that he _won’t_ kill the three bosses (because he “did a dime of hard time” for a crime already) but he would serve as a “consultant” for them.  Nick questions whether the advice he gives them is really worth the five grand.  But they are too nice to ask for the money back.  Later the three find out that “Unspeakable name” Jones did 10 years for getting caught with a video camera “pirating” the film Snow Falling on Cedars a beautiful and very, very sad _art film_ that was the exact opposite of anything that a hard core criminal _should have done 10 years for_ ;-).

By this point, I think one would probably have a feeling of the sense of the humor present in this movie.  Yes, it is crude, but the protagonists in this movie are all basically decent schmucks.  Do they succeed in murdering their three evil bosses?  I think you can guess.  And remember that this is a Hollywood comedy, so it all ends both satisfactorily and well. 

Why review a movie like this?  Well, as long as there have been bosses, there have been lousy ones.  In fact, since _work_ like _family_ has been part of human experience since the beginning, it should not be surprising that there are actually plenty of “evil boss” stories in the Bible as well:

I mentioned one above (the story of Joseph being blackmailed by his Egyptian master’s wife).  There was also Jacob’s step father Laban, who was a con-man from whom Jacob had to finally run away.  And then there was “the psycho” Saul, the first King of Israel, who was initially David’s “boss."  Saul was “moody,” that’s why David was hired by Saul’s court, to soothe him with his music (1 Sam 16:14-23).  And Saul, later became so jealous of David’s military successes that he wanted David dead.  In a famous passage, however, David and his compatriots once came upon Saul in his sleep and one of David's friends even asked David for permission to kill Saul in revenge, "God has delivered your enemy into your grasp this day. Let me nail him to the ground with one thrust of the spear; I will not need a second thrust!" (1 Sam 26:8).  David being a good guy, turns down the favor.

So stories of ‘bad bosses’ and dealing with ‘bad bosses’ has been part of our tradition since the very beginning. 

Then regarding the crudity of this story, just take a look at some of the stories in the Book of Judges, notably the story of Ehud the Assassin, who killed the _really fat_ King of Moab (Judges 3:12-22) or the Jael, the Israelite woman who lured the enemy general Sisera into her tent only to drive a stake into his head when he was asleep (Judges 4:17-22).

Finally, while I do have to say that the first Hangover movie (a movie that was actually far cruder than Horrible Bosses) did indeed make me blush (and I didn't see the second one), I do have to add that _a truly remarkable and diverse number of parishioners_ at my current parish in Chicago did with total sincerity express to me how much they liked that movie (The Hangover) and recommended it to me.  One could be distressed by this or even appalled.  But one could _also_ recognize that there must have been something about that movie (and I suspect this one) that really appeals to people.  And that appeal can not be simply negative.

Ultimately, Horrible Bosses is an “escapist fantasy,” born of the experience of knowing that there are some really bad bosses out there.  Additionally, the economy’s lousy now and people have to put up with perhaps more nonsense at work than when times were better.   So I think that this is part of the reason why this film was made and why it "works" now.

I found the movie reasonably funny.  The three schmucks plus their unspeakably named mentor (who turns out to be something of a schmuck as well) are all endearing.  Their bosses are all presented as "evil" and “deserve badness” to rain down upon them.  But the movie certainly isn't for everyone.  The R-rating is fully justified and I wouldn’t recommend the movie to people who really don’t like crudity or bad language.


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