Friday, December 29, 2017

Call Me by Your Name [2017]

MPAA (R)  CNS/USCCB ()  RogerEbert.com (4 Stars)  AVClub (A-)  Fr. Dennis (1 1/2 Stars)

IMDb listing
CNS/USCCB () review
Los Angeles Times (J. Chang) review
RogerEbert.com (C. Lemire) review
AVClub (A.A. Dowd) review


Call Me by Your Name [2017] (directed by Luca Guadagnino, screenplay by James Ivory based on the novel [GR] [WCat] [Amzn] by André Aciman [wikip] [GR] [WCat] [Amzn] [IMDb]) is a challenging movie for someone like me to review.  However, it ought to be far more challenging to most reviewers than it appears to be.

It's challenging to me because it's a sexually themed coming of age story and, well, I'm a Catholic priest.  It ought to be challenging to more reviewers than one like me because it's _also_ a love story between a seventeen year old minor and an adult (!).  Yet, not one of the three secular reviewers above seemed to have an issue with that.

It once fell to me to throw-out a band from the line-up of our Parish's music festival because one of its band-members turned out to be listed as a sex offender for having had the misfortune of picking-up a sixteen year old (girl) who was at a bar (with a fake id) where he had played some years back and had a gloriously _consensual_ (or "consensual") one-night stand with her.  She thought her encounter with the "worldly" musician was AWEsome, 'cept, of course, her parents were not amused ... I also know a Catholic priest who was de-frocked, his life effectively destroyed, as a result of meeting someone at 1980s-era gay party, that someone, having ended up being a minor.  In both cases, the first case involving a heterosexual encounter, in the other a homosexual one, the context was one in which one _could_ have thought that they had the right to assume that everyone present was "of age."  Yet in both cases, it became tragically clear (too late for the adults involved ...) that this was not the case.

As a result, I simply find it extremely stupid to fantasize about "wouldn't it be nice..." when it involves a "love story" between an adult and a minor...

Yet the film proves how one could manipulate an audience (and even critics) into being enchanted by something that ought to be appalling.  My favorite (and far safer) example of this was the film version of The English Patient [1996] which won all kinds of Oscars in its year.  I laughed out-loud hearing an otherwise quite traditionalist friend of mine wax eloquent about how much he loved the movie, telling him: "Do you realize that that the two main characters in the film consummated their flagrantly _adulterous relationship_ in head banging fashion _on Christmas Eve_ with a garrison of British troops lined-up in formation in the plaza below them singing _Silent Night_" ;-).  But there it is: Set a film in an exotic location be it in WW-II era Libya (The English Patient) or 1980s era Italy (the current film) and dress the characters in "clothes of the era" and ... you can have them do ANYTHING ...

Anyway, this is certainly a cinematically lovely film, but honestly a dangerous fantasy that could get all kinds of people in a world of trouble if acted upon.  And if there's any doubt here, let me just end mentioning two words: Kevin Spacey ...


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Pitch Perfect 3 [2017]

MPAA (PG-13)  CNS/USCCB (A-III)  RogerEbert.com (2 Stars)  AVClub (C)  Fr. Dennis (3 Stars)


IMDb listing
CNS/USCCB (J. McAleer) review
Los Angeles Times (J. Chang) review
RogerEbert.com (C. Lemire) review
AVClub (J. Hassenger) review

Pitch Perfect 3 [2017] (directed by Trish Sie story by / screenplay cowritten by Kay Cannon along with based on the book [GR] [WCat] [Amzn] by Mickey Rapkin [GR] [WCat] [Amzn] [IMDb]), the third installment of this "a capella" franchise probably won't win any awards for originality ... "the shark" here has been jumped long ago ... BUT all things considered, if you liked the first two films you'll probably like this one as well.  And certainly the theatre full of glee-ful teenage girls who made up the bulk of the audience at the show where I saw the film would agree.

The film begins with the now since graduated Barden U. Bellas "out in the real world" and working rather meaningless "entry level jobs," if that... One of the college grads was still working at a barista at a Starbucks-like establishment.  Another, was not working at all.  A third, found herself doing that thing that most recent college grads dream of doing, and perhaps even do, exactly _once_ ... telling her "uncomprehending boss" to ... before realizing, "Hey, wait ... I guess I don't have a job anymore..." ;-/.

Well, sigh ... coming together, as Alumni (OMG are we "old people" already? ;-) to a gig of Barden U's current "A Capella" team ... they decide that they'd _all_ really like to sing _one last time_ together.  Turns out that one of them has a connection, through her dad, for a gig with the USO ... and so they're soon off to Spain, Italy and France to "perform for the troops."  Much ensues ...

The most enjoyable thing that ensues, is that we the Viewers get to see these actresses / singers perform a string of remarkable / perfectly choreographed A Capella numbers, and that's honestly what most people seeing this film will come wanting to see.

Yes, there's "kinda a plot" that holds the story together, but that's honestly beside the point.  This film, like the others, is mostly about the joy of singing, and then singing with a group / among friends.

And yes, that's quite nice ... Good job Anne Kendrick, et al.  Good job ;-)


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