Wednesday, August 15, 2012

Searching for Sugar Man [2012]

MPAA (PG-13)  Fr. Dennis (4 Stars)

IMDb listing -
http://www.imdb.com/title/tt2125608/

Searching for Sugar Man (directed by Malik Bendjelloul) is the 3rd or 4th remarkable recently released documentary that has passed through Chicago in the last couple of weeks.  This film is about the search for an apparently "washed-up" musician from Detroit in the late 1960's / early 1970s who went by the name of Rodriguez.  After releasing two albums on the Motown label, this artist who all the record producers who had worked with him believed had enormous talent/potential as "the Bob Dylan of Detroit," this painfully shy musician (in live performances, he'd play with his back to the people so that they experienced of him was his guitar and his lyrics) simply disappeared back into obscurity.  As one of the voices in the documentary says "such is the music business..."

HOWEVER, one of his albums made it to South Africa.  By legend, a young woman visiting her boyfriend had brought it there.  South Africa, then under apartheid, was very much isolated from the rest of the world.  His music and lyrics struck a chord.  Soon tapes of both his albums were being distributed among the young white Afrikaner community.  He became so popular that both his albums were eventually released (with some of the tracks scratched out by the Apartheid regime's censorship authorities) with enormous popular acclaim (over there).

Indeed, Rodriguez is credited by one South African musician as having inspired an entire generation of Afrikaner (Dylan, err Rodriguez style) folk singers to the point that this South African musician noted that "in South Africa in the 1970s, there'd be three albums that you'd find in every young Afrikaner's record collection: The Beatles' Abbey Road, Simon and Garfunkel's Bridge over Troubled Waters, and Rodriguez' Cold Fact.  He was that important."

But what happened to him?  That's what the rest of the movie is about, and I assure you, it's a remarkable story.  Further, I would say that MANY older American Hispanics, those who'd be in their 20s-30s "back in the mid 60s-early 70s" would REALLY like this movie.  I honestly think that you'd "get him" and would be (or become) very proud him.  It's a truly remarkable story!


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Celeste and Jesse Forever [2012]

MPAA (R)  Roger Ebert (3 1/2 Stars) Fr. Dennis (4 Stars)

IMDb listing
Roger Ebert's review

Celeste and Jesse Forever (directed by Lee Toland Krieger, written by Rashida Jones and Will McCormack) is a well-written/crafted/acted film about a young couple in their late 20s/early 30s that's divorcing.  As such, folks, though often funny, this film is not really a comedy, nor (look at its theme...) is it not exactly a "date movie," certainly not a light one.  Still, for a serious couple it's probably worth seeing.

Celeste (played by Rashida Jones) and Jesse (played by Andy Samberg) had been together "forever," certainly all through college (and if I recall correctly, even before).  Yet, sometime before actual story of the film had started, Celeste, a writer and "social trend analyst" had become sufficiently disappointed with Jesse (a commercial artist of sorts) to ask for a divorce.

Perhaps like many couples today, she was definitely "moving (up)" and "knew where she wanted to go," while he was "kinda stagnant" but "happy where he was."  In a telling scene near the beginning of the film, Celeste comes home from work flush from feeling GREAT that her book "Sheitgheist - The Death of American Culture" was about to go the stores, and she finds Jesse in the garage (which the two had previously converted into his studio and where he still lived) sitting on a couch with a beer in his hand watching taped highlights of the "super heavyweight weight lifting competition" from still the 2008 Beijing Olympics (!!) -- Folks it's 2012 and the London Games just took place... -- still doing (for himself) the "German accented sports commentary" that in the past (like around 2008 ...) both Celeste and Jesse probably would have found hilarious.  It's clear that Jesse probably liked things back then and probably hasn't done a lot of "heavy lifting" since then, and Celeste, well ... "has moved on..."

But before beating up Jesse too much, let's underline something key in the film -- Jesse's basically happy (ultimately with or without her...) though he adds to his own problems over the course of the story (but always somehow with a smile), it's Celeste who's the unhappy one.  My hat off to Jones and Mc Cormak who wrote the screenplay.  It's a very interesting insight into many male/female relationships today.

Much, of course, ensues.  The supporting cast -- played by Ary Graynor / Eric Christensen, Elijah Wood / Emma Roberts, Chris Messina / Rebecca Dayan and Will McCormack / Kate Krieger -- is _excellent_.

It makes for a great story ... just, well, kinda sad ... but then look back again at what it's about.  But good job all around!


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Tuesday, August 14, 2012

Craigslist Joe [2012]

Fr. Dennis (4 Stars)

IMDb listing

I found the remarkable documentary Craigslist Joe (directed by Joseph Garner) by a fluke.  It was listed as playing, one remaining show only, at the Music Box Theater on Chicago's North Side this past Sunday (perhaps it had played on Saturday as well).  Reading the film's plot summary, I immediately saw that I'd be interested in seeing the film, bt the movie was playing at a time that I could not make.  However, googling it, I found that I could rent the film for $5.99 through Amazon's Instant Video Service.  So that's what I did and IMHO it was _well worth_ the effort ;-).

Craigslist Joe is the chronicle of the film's 20-something year-old director Joe Garner's experiment to see if starting with no cash/credit card, no food stock or roof over his head and without any reliance on family or existing friends, he could live an entire month on the products, services and generosity he'd find through the community of world-wide and generally free online classified ads service called Craigslist.   [Note that Craigslist has had its share of controversy in the past because for a number of years its adult and personals pages had become a de facto clearinghouse for prostitution and sex trafficking services.  Yet, I would agree with Joe Garner's premise of the film that Craigslist has always been far more than this.  As Joe points out at the beginning of his film:  "Craigslist has been a place where you could look for a job, get rid of your sofa, and even find friends"].

So armed with simply a smart phone (with a cell number that none of his friends or family knew), a laptop and a cameraman (who he had found, of course, a few days before beginning the project, on Craigslist ;-), Joe began his adventure on a bench on a street corner in Los Angeles one December 1st in the recent past, promising to return to family and friends for New Years!   What an awesome premise!  And, of course, much ensues ...

In the month that follows, he travels from Los Angeles to Portland, OR to Seattle then through Chicago to New York, down to Tallahassee, FL and New Orleans, to San Francisco (where he goes after being invited by Craigslist founder Craig Newmark to come by near the end of his experience to talk to him about it) and finally back down to Los Angeles.  Joe does all this by picking up odd jobs, taking odd rides, and finding people to crash with at various free events that he found, all through Craigslist

To Joe Garner's credit, he shows that after a number of close calls over the course of his trip, there was one night near the end when he did end-up on the streets.  There was also one night, in Chicago, no less, when he and his camera man ended-up crashing at the apartment of a woman who, well, "surprises them" ;-).  Still, when they indicate that they were "not into that sort of stuff," she _was fine with it_.  Nevertheless, these episodes help serve as a reminder that this kind of an adventure does carry with it clear dangers.  I would also like to underline for readers here that Joe had the advantage of traveling with a cameraman through his whole journey.  So (1) he wasn't really traveling alone, and (2) the various people who Joe met along the way knew that they weren't simply boarding or picking-up a random person that they met to travel with them but that they were going to be somehow part of this person's film project.  These clarifications/considerations aside, however, Joe Garner's experiment opens-up for _clear headed_ young people the possibility of entering into a "pilgrim" / Depression Era "hobo" / "poustinik" style of adventure that I honestly find both fascinating (!) and also believed was no longer possible.

I invoke the evocative words of "pilgrim" and "poustinik" purposefully because though Joe appears from the film to have probably been Jewish (He does find time to celebrate the closing of the Jewish holiday of Hannukah when he's out in New York, while spending the night of Christmas Eve on Bourbon Street in New Orleans) there's actually an ancient Christian tradition of pilgrimage (Diary of Egeria [4th Century AD (!)], Chaucer's Canterbury Tales [14th Century], the Camino de Santiago de Compostela celebrated in the recent film staring Martin Sheen called "The Way" [2011]) or even simple "wandering" (St. Brendan of Ireland, the poustinik tradition of Russia recalled in Catherine De Hueck's book "Poustinia" and the anonymous 19th century Russian spiritual text "The Way of the Pilgrim").  In all these texts and journeys, the journey itself, and often enough, the people "met along the way" were as important as the goal itself.  One should also note here the great Muslim tradition of the Hajj, where _again_ the journey to Mecca is considered to be easily as important as reaching Mecca itself.

Indeed, it was fascinating for me to note that the people who Joe meets during his one month of travels were almost always "at the margins of society" -- hippies, New Agers, an IRAQI immigrant who family puts him up one night in Seattle, a 30-something year-old African American woman who gives him a place to stay one night when he nearly ended up on the streets in New York (and in the snow) and yes there's that "woman of questionable repute" who puts him and the cameraman up in Chicago ;-).

Yet, that woman becomes actually very interesting to remember because one recalls in the Biblical tradition that it was  "Rahab the Harlot" who is remembered in the Book of Joshua (Josh 2:1-7) as having been the one who gave hospitality to the Israelite spies when they were checking-out Jericho prior to the Israelites' siege to it.  Later only she and her whole family were spared by the Israelites when they eventually sacked the city (Josh 6:17-25).  Later in Jesus' geneology (Matt 1:1-17), Rahab appears as one of the only four women named in the geneology (Matt 1:5), named because she along with the other three women who appear in the course of the geneology turned out to be KEY in the eventual arrival/incarnation of Jesus.  During the course of his own ministry, Jesus _repeatedly_ accepted the hospitality of all, and often enough from people, both men [Zaccheus (Lk 19:1-10) and Matthew (Mt 9:9-13)] and women [(Mk 14:3-9), (John 4: 4-42), et al], again "of questionable repute."  Finally, in the New Testament, in the Letter to/of the Hebrews, there's the admonition: "Do not neglect hospitality, for through it some have unknowingly entertained angels" (Heb 13:2)

It is clear that Joe himself (as well as his parents, as he recalls his experience to them and his friends at the New Years' Party at the end of the film) becomes aware of the unexpected spiritual significance of his experience.  I'm positive that many of the readers of this blog and subsequent viewers of the film will come to see this as well.

All in all folks, especially young adults, if you find yourselves inspired by this film to try something similar, PLEASE ENTER WITH YOUR EYES OPEN and understand the obvious risks that are involved.  You DON'T have to accept the hospitality of everyone.

Nevertheless, Joe's "experiment" here seems to indicate _to me_ that entering into this kind of "wandering," "depending on God/the kindness of strangers" experience _is possible_ today.  And is that a wonderful thing!  THANK YOU JOE and you did a _wonderful_ job!


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Saturday, August 11, 2012

Richard's Wedding [2012]

MPAA (UR)  Fr. Dennis (3 Stars)

IMDb listing

Richard's Wedding (written, directed and costarring Turkish-American director Unur Tukel) is an small, generally irreverent, young adult oriented "indie" production about, well, a wedding.

The film begins with Alex (played by Jennifer Prediger) and Tuna (played by Unur Tukel) running into each other "on the El" as they are both heading to their friends' Richard (played by Lawrence Michael Levine) and Phoebe's (played by Josephine Decker) wedding.  As they talk, it becomes clear that both are somewhat skeptical of whether Richard and Phoebe's marriage is going to work and Tuna at least is really worried about the prospect of meeting old friends that he hasn't seen in some time.

Tuna, an unemployed writer, is particularly worried about how he's going to deal with Richard's up-to-then best-friend / room-mate, the somewhat successful, somewhat right-wing and certainly blowhard Russell (played by Darrill Rosen).  Then there's perpetual basket-case and terrible photographer Amy (played by Heddy Lahmann) who, of course, was invited to by Richard to take pictures of the affair and everybody knows that it would just crush her if they honest and told her that she's just plain terrible as a photog.  There's also Tuna's ex-girlfriend Kristen (played by Oona Mekas), who's gonna be there, who even though he was unemployed when they had dated, he had cheated on... Yup, it was not going to be a pretty afternoon for Tuna.  In contrast, Alex feeling herself in a positive relationship with "Daryl" even though he's inexplicably not joining her in going to the wedding feels just fine ... Obviously much ensues...

Now part of what ensues is from my perspective (as a Catholic Priest) rather irritating:  It turns out that Richard is a rather adamant atheist and Phoebe's a somewhat vague but at least _when it comes to her wedding_ Christian.  So they give conflicting instructions to the Minister who comes to officiate at their wedding that they're holding in some random corner of a park in New York.  He doesn't want the Minister to mention God at all in the ceremony (why then call a minister at all then?)  She makes it a point of telling him that "it's OKAY" to mention God (PLEASE).  The Minister, a weak if kind soul with more or less clear struggles in his life tries really hard to find a way to oblige both.  (Note to young Catholics reading this blog: This is why we have a 6 month marriage preparation process and except in truly exceptional circumstances insist on marrying couples in a Church, so that these questions get talked about and resolved _long before_ the wedding day.  And yes, if it becomes clear that the couple really does not want to get married in the Church, we do respect their wishes and _don't_ marry them.  In the Catholic Church, after all, getting married is understood to be an adult decision to be approached in a serious / adult manner.  And yes, the Catholic Church does have standards).

This aside, I did find the dialogue in the film to be quite good and I do sympathize with young people today.

But I will certainly stand by the view that it is far easier to go through life with God in it than to go through life without God.  None of us know what we will come face in life and having God present in our lives when life is not going particularly well can be a great, great support.


ADDENDUM:

While "in theaters in major markets," many "Independent" / Foreign Films and Documentaries are  available for home viewing in the U.S. through the IFC Video On Demand service (type in your zipcode and cable provider to see if this service as available to you) or for download via services like Sundance Now and/or Itunes / Amazon Instant Video.  Eventually, these films become available for rent in the U.S. via NetFlix or Blockbuster.com.   More obscure titles can also be found via Facets Multimedia's DVD Rental Service.


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Queen of Versailles [2012]

MPAA (PG)  Roger Ebert (3 1/2 Stars)  Fr. Dennis (3 Stars)

IMDb listing -
http://www.imdb.com/name/nm1132362/
Roger Ebert's review -
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20120801/REVIEWS/120739997

Queen of Versailles (directed by Lauren Greenfield) is a documentary with a "reality show" feel to it about time-share real estate magnate David Siegel, his "force of nature" wife Jackie and their large (8 kids) family.  "Back in the day" (before the collapse of the real estate market's collapse in 2008) they were on their way to building the largest "family home" in the United States complete with something like 14 bedrooms, countless baths, multiple pools, 2 tennis courts and a bowling alley.  (Hence the reference to Versailles...).

It would be easy to make fun of these people, especially at the beginning of the documentary, which was filmed _before_ the housing market collapse.  Back then David Siegel came across to me as a supremely arrogant man claiming to have "single-handedly" made George W. Bush the president of the United States, saying ON CAMERA that he'd "prefer to not get into exactly how," because (snickering) "what [he] did was probably illegal." (Note to enterprising journalists and/or dare one dream an enterprising district attorney willing to look under a few rocks to see whether there was anything to Siegel's boast there or not.  Siegel is a resident of Florida after all (and back then a very rich and flamboyant one) when Bush was declared the winner of the year 2000 Presidential election after the infamous problems with the vote in that state...).

However, whether or not Siegel ends up serving any time for possibly stealing an election from the rest of the country, "his man," GW Bush, who along with his wife, were shown visiting his/Jackies "smaller home" (half the size of the larger "Versailles" that they were building...) ended up producing Siegel's own downfall: Time-share real estate king that Siegel was, his kingdom collapsed largely collapsed after the financial crisis dried-up the cheap loans on which his business depended.  As soon as people couldn't purchase (or "flip") those time shares that his company was selling, Siegel's own business fortunes dried up as well.

A good part of me smiles, saying "couldn't have happened to a more deserving guy."  Yet, there's something sad about watching a man with a family struggling to pay his bills and keep his home (palatial as Siegel's was...) even if he was a billionaire and had made his fortune, in good part, swindling much poorer people of their money as well.

Siegel's wife Jackie is arguably even more complex.  One _could_ wish to dismiss her as "some kind of ditzy, simpleminded trophy wife" that one could expect to see on a "reality show" style documentary.  But _if one is honest about it_, she's far more complicated/compelling than that: Born in a small town in upstate New York, she was both good looking and driven as a teen / young adult.  As a result, she did really achieve actually quite a bit on her own _before_ meeting Siegel.  She got an engineering degree, worked for IBM as an engineer for some time.  When she found that work _deathly boring_ she went into modeling and competing/succeeding in various beauty contests.  And after she married Siegel, she apparently even won the Mrs America beauty contest one year, before settling down and having her seven kids with him.  Afterwards, she continued to be active in the beauty pageant circuit, as a coach/supporter, etc.  One could initially try to dismiss her, but honestly, she did quite a bit with her life.  And at least on camera, she didn't come across as some sort of a deathly snob.  At the beginning of the film, she was simply up-to-her-eyeballs in money.  Perhaps she could have become someone more like Melinda Gates, wife of Microsoft billionaire Bill Gates, that is true.  But Jackie came across in the film as basically "a small town girl" who "really, really made good" (imagine going to _her_ class reuinon ;-) ;-), and yes, with her "billions" (and later simply "hundreds of millions" ... ) she arguably "still shopped at Walmart."

Yes, their house (that thanks to the financial crisis they were unable to complete) was ridiculously extravagant.  But I'd probably focus more of my arrows on her husband than her.

Anyway, Queen of Versailles is not a profound movie.  I didn't and wouldn't necessarily want to pay "full price" to see it.  I'm still not sure I particularly like the family.  The film's definitely of the "reality show" genre.  But, argh!  I can't outright hate it or hate them. ;-)

And there it is ... there's a good part of me that would say that if there EVER WAS "a poster family" deserving of an _extended_ "time share" visit to a Communist Era "re-education camp" then the Siegels would be that family. (I'd love to see David doing some time swinging a pick-axe in some Siberian rock-quarry somewhere.  And there are honestly NOT many people I'd EVER wish that for ...)  But the Siegels do remain "regular folk" too ... Sigh ... ;-)


ADDENDUM:

While "in theaters in major markets," many "Independent" / Foreign Films and Documentaries are  available for home viewing in the U.S. through the IFC Video On Demand service (type in your zipcode and cable provider to see if this service as available to you) or for download via services like Sundance Now and/or Itunes / Amazon Instant Video.  Eventually, these films become available for rent in the U.S. via NetFlix or Blockbuster.com.   More obscure titles can also be found via Facets Multimedia's DVD Rental Service.


<< NOTE - Do you like what you've been reading here?  If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation.  To donate just CLICK HERE.  Thank you! :-) >>

Friday, August 10, 2012

The Campaign [2012]

MPAA (R)  CNS/USCCB (O)  Roger Ebert (2 Stars)  Fr. Dennis (3 Stars)

IMDb listing
CNS/USCCB review
Roger Ebert's review

The Campaign (directed by Jay Roach, written by Chris Henchy and Shawn Harwell) is without a doubt a very crude film.  As such, the film will be off-putting to a fair amount of viewers, particularly older ones, regardless of political affiliation.

That said, I must say that I share the film-makers' disgust with the current political process in the United States where candidates (and their backers) will say truly almost anything to win.  And I would share to a large extent the film-makers' political view.  I do believe that political money corrupts.

What's my out of this dilemma then?  Honestly, in my daydreams, I've toyed with "revisiting monarchy" because at least then governance would be "left to the King" who we could then ridicule and criticize ... and, yes, I know we'd probably end up in some dungeon ... but we wouldn't be afflicted by the AWFUL political ads that THIS FILM actually so wonderfully, mercilessly, and IMHO _so justly_ lampoons.

What's then is the film about?  Will Farrell plays Cam Brady a four time Democratic congressman from North Carolina recognizably modeled after former presidential and vice-presidential candidate John Edwards.  He's arrogant, morally reckless and not particularly bright, but he runs unopposed.  Why?  Because he knows his District.  He says B.S., says it proudly, with conviction.  But he doesn't do anything, one way or another, to harm his district.  He's basically a mascot, a clown.

He does, however, get himself into trouble by leaving a lengthy over-the-top sexually explicit message on the wrong answering machine (He thinks he's leaving the message on the voice mail box of a campaign worker he had just had <....> with, and instead leaves it on the answering machine of a humble Christian family about to say grace before their meal).  It was an unbelievably stupid mistake.  But then in real life, not a few months ago, Democratic Representative Tony Wiener from New York did something similarly stupid, sending a sexually explicit photograph of himself to a campaign worker, thinking that this would be both somehow "appropriate" and "not get out."  Welcome to the digital age ...

Seeing Cam Brady wounded, the Motch Brothers (played by John Lithgow and Dan Aykroyd) modeled after the astro-turf Tea Party financing Koch Brothers see an opening.  They want to turn Cam Brady's 14th Congressional District into basically "China today" by getting wavers to reduce the wage, safety and environmental standards in the 14th District to China levels calling the process "insourcing").

When Cam Brady in a fit of conscience (or stupidity?) refuses to go along with their plan, they decide to put-up a candidate to run against him.  Who?  It doesn't matter to them.  They open their roladex and find an old friend Raymond Huggins (played by Brian Cox).  Raymond's too old and probably too smart to run.  So they decide to go with his nice and somewhat loser son Marty Huggins (played by Zach Galifianakis) instead.  Putting $1 million down in a Super Pac in his name, they figure that they can turn him into whoever they want.  Indeed, they bring in a "fixer" named Tim Wattley (played by Dylan McDermatt) who so completely "makes over' Marty's life that he gets rid of his two little Chinese dogs, replacing them with a "poll tested" Lab and Collie.  Much ensues ...

Most of what ensues has little to do with the people of  "North Carolina's 14th Congressional District."  Cam Brady continues to run on his tried and true slogan of "America, Jesus and Freedom" until he's found to not be able to recite even the Lord's Prayer when challenged by Marty at a debate.

Marty then pushes the "character" issue further by composing a terrible ad featuring him asking Cam Brady's 10 year old son: "Does your father play with you?" The boy answers "no, not really, he's too busy."  Marty continues: "I'll play with you."  "Okay."  "You know you can call me daddy, if you want" "I'm not sure" "Don't worry, if your daddy isn't a real daddy, you call me daddy instead."  "Okay, daddy."  "I'm Marty Huggins, and if your daddy won't step up and be a real dad, I will... and I ever so reluctantly endorse this message..."

Seeing that ad, Cam Brady becomes incensed demanding "He steals my son, I'll sleep with his wife!"  So he does, seducing Marty Huggins' nice, naive and somewhat frumpy wife and puts the resulting pixelated sex tape on YouTube, running perhaps the first political ad with the disclaimer "This Political Ad is intended for Mature Audiences Only ..."

Marty, in turn incensed then comes with a gun to Cam Brady's "hunting photo op" and just shoots Cam in the leg and leaves, not even bothering to make it look like a Dick Cheney-like "hunting accident."  And what happens?  Marty's poll numbers "get a bump of 2-3 points" for shooting his opponent in the leg....

If this all seems appalling, it's because it is.  Yes, the film makers exaggerate.  But honestly not much.  And yes, BOTH candidates eventually catch themselves before completely falling off the cliff.  So there is a "happy ending" of sorts.  But what an ugly mess ... as is, honestly, the political process in the United States today.


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The Bourne Legacy [2012]

MPAA (PG-13)  CNS/USCCB (A-III)  Roger Ebert (2 1/2 Stars)  Fr. Dennis (3 1/2 Stars)

IMDb listing -
http://www.imdb.com/title/tt1194173/
CNS/USCCB review -
http://www.catholicnews.com/data/movies/12mv091.htm
Roger Ebert's review -
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20120808/REVIEWS/120809988

Bourne Legacy (directed and cowritten by Tony Gilroy along with Dan Gilroy based on the Bourne Series of novels inspired by the Bourne trilogy by Robert Ludlum [IMDb]).

To a fair amount of critics and presumably moviegoers, the Bourne series of films really should have ended with the adaptation of the Ludlum's third and final novel in his Bourne trilogy.   In most cases, I'd agree with that assessment.  However in this case, I do actually see a rather compelling (rather than purely financial / profit-making) purpose in continuing the series beyond the three original installments.  This is because as Bourne Legacy rightly points out, the "secret government program" in which the Jason Bourne character had been a member would have been _much bigger_ than simply a single agent named Jason Bourne.  There would have been other agents.

So Bourne Legacy is precisely about "another agent," one whose name is Aaron Cross (played by Jeremy Renner), with similar if ultimately different questions than Bourne.  If Jason Bourne's fundamental quest was trying to figure out who the heck he really was or had become, Cross's questions were "what exactly am I ultimately part of?" and "how many others are there 'like me'?"   So I found Aaron Cross' character easily as compelling as Bourne's was in the first Bourne film, Bourne Identity [2002].  I also do believe that Tony Gilroy had more freedom in exploring the nature and ramifications of the program to which both Jason Bourne and Aaron Cross belonged in making Bourne Legacy than when he was simply making films out of the remaining novels of Ludlum's trilogy.  (I didn't particularly like Bourne Supremacy [2004] or Bourne Ultimatum [2007]).

Here I would add a note of respect for another film that Tony Gilroy had written and directed, Duplicity [2009], which along with the first Bourne film, Bourne Identity [2002], I had found to be probably the most compelling spy story of the past 10 years.  As in Duplicity [2009] (which was actually a semi-serious / semi-comedy about contemporary industrial espionage) so in Bourne Legacy (which gloried in the "compartmentalization" of government sponsored intelligence operations), it would seem to me that Tony Gilroy has as good a knowledge and _intuition_ as anybody today about how contemporary intelligence operations work. 

The compartmentalization of the program to which Jason Bourne and Arron Cross belonged (and its members resulting isolation...) also makes for a relatively simple story to tell.  There were very few characters of consequence present in the current story:  There was Cross, presumably a "field agent" who we meet on a (solitary ...) "endurance training exercise" out in the wilds of Alaska.  There was the program's chief "handler" back at Langley/Washington (played by Edward Norton).  And there was a "biochemist" Dr. Marta Shearing (played by Rachel Weisz), who Cross remembered because he had once been ordered to "come-in" to a lab, presumably somewhere in the Washington D.C. area, where after a physical, she had given him a couple performance enhancing drugs (both physical and mental) to take as part of his regimen from then on.

It was obvious that those drugs had been given to him (and presumably to other agents in the program) to improve his performance (and he seemed to particularly enjoy the intellect enhancing drug that he was given for reasons that are explained in the film).  Yet the larger question of "why" he (and presumably other agents) were being given these drugs wasn't particularly clear (Yes his performance would obviously "improve," but why? why would that be important?)  Yet, he followed the orders, until, of course, it suddenly became clear to him that the program was being "rolled up" (ended) from "far away" (Langley/Washington), for reasons that were, once more, "unclear."  So, of course, much ensues ...


Hence as much as I know that many viewers would wonder "why is there a Bourne movie being made _without_ Jason Bourne?" I honestly think that I "got it."  And I also will maintain that this is probably the best "Bourne movie" since the first one, even if it doesn't have Bourne in it, precisely because it helps present  Bourne's "world" from another (and perhaps larger) perspective.  So give the film a chance.  I think it's far better than one would originally expect it to be.


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