Friday, December 28, 2018

Vice [2018]

MPAA (R)  CNS/USCCB (L)  RogerEbert.com (1 1/2 Stars)  AVClub (C)  Fr. Dennis (2 Stars)

IMDb listing
CNS/USCCB (J. Mulderig) review
Los Angeles Times (K. Turan) review
RogerEbert.com (B. Tallarico) review
AVClub (I. Vishnevetsky) review


Vice [2018] (written and directed by Adam McKay) a film about the very private / secretive GW Bush-era V.P. Dick Cheney (played in the film by Christian Bale) did not seem to me nearly as coherent in both theme and content as McKay's previous laser-sharp / damning cinematic exposé (on the 2008 Financial Crisis) The Big Short [2015]

It seems clear to me that McKay initially intended the film to be an i-s dotted /t-s crossed damning hatchet job against the former V.P.  BUT either he himself flinched as he started to truly understand his subject matter, Cheney, or perhaps he was ordered to stand-down "a bit" by the studios / their lawyers  (I'd go with the former explanation, with McKay realizing that Cheney was far more human / lamentable, less simply "Evil," than he had initially believed). 

In any case, the Cheney here who emerges is something of a human mess, whose decision guiding principles were limited, perhaps quite severely, by his own intellectual and perhaps even physical limitations / short-comings.  So ... in an Administration, GW Bush's, not known for its intellectual prowness, he was one of its brighter lights / beacons, BUT ... that wasn't necessarily saying much, and yet ... could he honestly have done any better?

Let me explain.  We are told that Dick Cheney, growing-up in the cattle-ranching state of Wyoming, began his young adulthood first getting accepted and then quickly flunking-out of the East Coast Ivy League University of Yale.  Why he got there at all was through the help / connections of his future wife Lynne (played in the film by Amy Adams).  Lynne, convinced that as a woman still of her 1960s generation she could not "be somebody" on her own, felt that she needed at least her husband to be "somebody."  At the time Dick looked apparently like a lug, but a BIG (homecoming quarterback-like) LUG, so ... she wasn't necessarily choosing her man in this regard badly.  He just needed to be encouraged, pushed-forward to ... "become the man" that she hoped for.  (This kind of thinking is, perhaps thankfully, becoming "old hat." BUT ... back in the Dick and Lynne Cheney's young adult years, that actually still made a lot of sense.  Women back then did become (or at least hoped to become) "somebodies" through their men).

Through another connection of Lynne and her family, Dick Cheney got an internship in Washington D.C. to work in Congress, and meeting among other people, a young "North shore" Illinois Republican Donald Rumsfeld (played in the film by Steve Carrell) THIS TIME, HE NEVER LOOKED BACK.

But ... Dick, never a particularly sharp tool, came to learn TO PARROT (very well) the ideology and  values of the people around him (in his case ... that of Nixonian republicans).  As a result his values came to be LOYALTY, SMALL GOVERNMENT, and a questionable increasingly dogmatic belief in the UNITARY POWER OF THE EXECUTIVE (basically that the President simply because he was President could do no wrong or at least could not be held to account, except _perhaps_ by the ballot box).   How such a view would work inside a Party "of small government" is remarkable.  However one supposes, going back to essentially A KING _could_ make "government" "smaller" ;-).

And the rest of the story then follows...

Now fascinatingly, those three pillars of Cheney's political ideology, DON'T necessarily point in the same direction all the time.  So there are honestly surprises, moving surprises in this film.  And Cheney was ALSO famously limited by his own health issues.

The result is ... perhaps a film about a "good old boy" who went, WAY, WAY HIGHER than anyone with his capacities / limitations really should have.

So ... what to finally say of the film?  It's something of a mess, but ... it gives Viewers, perhaps, a lot to think about as they go home.  So a decent enough, if not exactly great job.


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The Mule [2018]

MPAA (R)  CNS/USCCB (A-III)  RogerEbert.com (2 Stars)  AVClub (C+)  Fr. Dennis (3 1/2 Stars)

IMDb listing
CNS/USCCB (K. Jensen) review
Los Angeles Times (K. Turan) review
RogerEbert.com (C. Lemire) review
AVClub (J. Hassenger) review


The Mule [2018] (directed by Clint Eastwood, screenplay by Nick Schenk, based on the New York Times Magazine article "The Sinaloa Cartel’s 90-Year-Old Drug Mule" by Sam Dolnick [NYT] [IMDb]) is probably going to be my favorite movie of the year, or maybe it will be this year's A Star Is Born [2018], both incidentally about struggling deeply flawed men and both somewhat surprisingly starring/costarring Bradley Cooper)  IMHO in the current case deserving Eastwood consideration for best actor in a leading role and possibly a nomination for best director.

The story here, inspired by the true case of Leo Sharp, fictionalized here as Earl Stone (played by Clint Eastwood himself) was about an octogenarian, vet, farmer, who had arguably squandered his life maintaining a rock-star celebrity status at quaint (and to most of us utterly irrelevant) "day lily" conventions.  He'd talk up the ladies, buy entire bars full of people rounds of drinks.  Everybody loved him ... there ... at those "day lily" conventions.  Back home?  Not so good.  He missed his own daughter's wedding (Stone's daughter played by Eastwood's own daughter Alison Eastwood).  Why? / How?  He was whooping it up at some random "day lily" convention in some random midwestern town, buying a round of drinks for another, random wedding party of strangers, somewhere else.  What a mess...

Then, technology (the internet) passed him by.  No longer did people need to go to "day lily" conventions to buy "the latest" in "day lily seed" / "technology."  They could just buy these things, sitting at home with the click of a mouse.  So not only did his "celebrity status" collapse but so did his business.  So the guy that "everybody knew" in this sliver thin horticulturist subculture only ten years back faced foreclosure on his farm/business.  What to do?

He gets a tip, that since he used to like to drive to all those conventions (and apparently never ever was even stopped by the police for any traffic violation) that ... "there'd be some people" who'd be "interested in hiring someone like him" to ... (discretely) "drive some merchandise" from Point A to Point B.

With few options and many past bridges burned, he takes the tip and ... soon he's serving as a courier (a mule) for ... El Chapo's Sinaloa's drug cartel.  Does he know?  (probably)  Does he care? (probably not).  A man of many regrets, he takes the job first to survive, and as he starts getting good at it (and the money gets ever better) he starts using that money to do some random / poignant good (even for his estranged family).  But yes, he spends at least some of it on "dancing (at 80+ more like shuffling) the night away" with small-town 40+ year old prostitutes who, well, "enjoy his company" ;-) ... Still "livin' the dream" / "rockstar" ... ;-)

So ... does this (old) man have a conscience?  Robert Redford's recent Old Man and a Gun [2018] treads similar territory -- both Eastwood and Redford know themselves now to be "old men" and seem to be telling us that "narcissism / sociopathy" don't necessarily get cured with old age.

Still, does Eastwood's Earl Stone have / gain a conscience?  I'll let you discern that for yourselves if you see the movie.

I really do think that the movie does an excellent job of portraying someone who was clearly flawed and (perhaps) trying to do better (as perhaps best he can).  One excellent murky mess of a story!


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