MPAA (UR would be R) RogerEbert.com (3 Stars) Fr. Dennis (3 Stars)
IMDb listing
Los Angeles Times (R. Abele) review
New York Times (T. Bugbee) review
RogerEbert.com (V. Murthi) review
The Road Movie [2016] (directed by Dmitrii Kalashnikov) is a guilty pleasure of a movie (though also informative in its own way). A documentary made entirely from Russian dashcam video clips, the film quite literally becomes a "window to a world" that most Viewers, certainly from the West, would not particularly know. The "limits of the genre" (dashcam videos) and subgenre (dashcam videos that generally younger youtube / "vkontakte" ... "OMG that really happened (to us)..." savy Russians" would find compelling) necessarily present a Russia of mayhem ("OMG, these people are crazy...") BUT also a Russia that most of us here would not know ("OMG, THERE IS a LOT OF SNOW in Russia" ;-) // "OMG, I didn't fully appreciate / realize that Russia today, like any other modern country, would have a lot of cars / roads even out in the countryside." Honestly, these last two points, I did not really appreciate until seeing this film).
So I have to say that this movie, in as much as one could catch it at an "art-house cinema" somewhere in the West, or later, on DVD / streaming video on Amazon / Netflix , perhaps Vimeo, etc, is worth the trouble of seeing. This is because Russia, as important a country that it is in the world, remains quite inaccessible. The Russian movies that do make it to Western theaters are often limited in theme, generally ponderous Epics or perhaps like this one of a sullen, "Road Warrior" bent.
There's of course a much larger Russian film industry than that which makes films portraying Russians as sad / depressed "Ana Karenina"-like victims or as "tough, even frightening people (Stalingrad survivors and children / grandchildren of Stalingrad survivors) who one would NOT want to mess with." But those films -- including Russian comedies [1] [2], RomComs, Twilight Saga-like YA romances [1] [2], and tech-savy YA adventure stories -- are often hard to find... in the West. For a couple of years, I tried offering an annual "Russian Film Tour" on my blog, offering Readers here an opportunity to see more of Russia than the scary and or depressed. But this year, it proved hard to find subtitle files (even to machine translate into English) for such films.
I FIND THIS UNFORTUNATE because while I do understand that Putin's Regime MAY FEEL that the West has fundamentally underestimated / dismissed Russia as "backward" and therefore MAY FEEL that "if we can't be LOVED, then let us at least be FEARED" (hence the Russian-end promotion into the West of their more PONDEROUS and often FEARSOME films).
However, I do honestly believe that taking the other tack -- presenting Russians as REGULAR PEOPLE who LOVE, ARE FUNNY, PLAY VIDEO GAMES -- would be better for all concerned and, honestly, support the cause of World Peace. For honestly, if Russians are portrayed simply as "stalkers of ghostly Tiger Tanks" or survivors of "a REAL (WW II-era) Hunger Games," then this just SCARES PEOPLE and makes them _less likely_ to want to interact with Russians in a positive way. I think it'd be much better to encourage people to remember that Russians (like ALL PEOPLE) have ... MOMS who love them like our moms love us.
Anyway, I quite enjoyed the current film, entirely composed of clips from Russian dashcam videos. I just wish we could see MUCH MORE OF RUSSIA than just these quite limited clips.
* Foreign language webpages are most easily translated using Google's Chrome Browser.
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Reviews of current films written by Fr. Dennis Zdenek Kriz, OSM of St. Philip Benizi Parish, Fullerton, CA
Tuesday, January 30, 2018
Monday, January 29, 2018
Maze Runner: The Death Cure [2018]
MPAA (PG-13) CNS/USCCB (A-III) RogerEbert.com (2 1/2 Stars) AVClub (B-) Fr. Dennis (2 1/2 Stars)
IMDb listing
CNS/USCCB (J. MacAleer) review
Los Angeles Times (K. Walsh) review
RogerEbert.com (C. Lemire) review
AVClub (J. Hassenger) review
Note: This Review DOES CONTAIN SIGNIFICANT SPOILERS but only because, honestly, there's little way else to talk about the way this film / series ends and, perhaps, more importantly WHY it ends in the way that it does. (It's actually quite interesting, IMHO ...)
IMDb listing
CNS/USCCB (J. MacAleer) review
Los Angeles Times (K. Walsh) review
RogerEbert.com (C. Lemire) review
AVClub (J. Hassenger) review
Note: This Review DOES CONTAIN SIGNIFICANT SPOILERS but only because, honestly, there's little way else to talk about the way this film / series ends and, perhaps, more importantly WHY it ends in the way that it does. (It's actually quite interesting, IMHO ...)
Maze Runner: The Death Cure [2018] (directed by Wes Ball screenplay by T.S. Nowlin based on the novel [GR] [WCat] [Amzn] by James Dashner [wikip] [GR] [WCat] [Amzn] [IMDb]) is the final cinematic installment of the dystopian teen-oriented Maze Runner [GR] [WCat] [Amzn] series, the previous cinematic installments The Maze Runner [2014] and Maze Runner: The Scorch Trials [2015] having been released in years previous.
Die hard / devoted fans of the book series and even the previous movies will probably be happy that the see that this series was able to come to a cinematic conclusion even if it appears that with the Divergent series' flame-out (after the disappointing reviews / box office numbers of the third installment of that series, the fourth film in that series remains yet to be made) Hollywood is apparently becoming more skittish in green-lighting these special-effects heavy and thematically surprising ("teenage apocalypse...") projects.
It appears that with the completion of the Hunger Games cycle (and honestly, _that_ became a slog...), our teens (and indeed the world's teens) have "moved on." Yes, the Marvel Comics based films continue to do well, but then THOSE FILMS TEND TO BE _HAPPIER_.
To the current franchise / story ...
In the second installment, we came to understand better _why_ the society portrayed in The Maze Runner would have resorted to putting seemingly _random_ teenagers into a bizarre "Maze" (to either figure-out how to get out of said maze, or ... eventually, in one way or another ... DIE): The society resorting to this was desperately messed-up, trying to fight-off a truly civilization threatening ZOMBIE APOCALYPSE (!) ;-). I suppose if a civilization was truly facing a "Zombie Apocalypse," it would come up with ALL KINDS OF BIZARRE IDEAS as to "how to combat it" ... including putting _random teenagers_ INTO A GIANT MAZE in hopes that SOMEHOW _they_ would "come up with something that _could_ help." ;-)
Still, once one drops the Z-bomb ... where else can one really go? So the first half of the current film could be described as Zombieland [2009] meets Mad Max: Fury Road [2015] with an extended desert car / train chase scene that ultimately ... doesn't make a whole lot of sense, BUT ... looks "really, really cool." ;-)
Then the second half of the film involves an extended Zombies (here called "Cranks") breaching the Walls of a still modern and previously "protected" city, perhaps recalling the final Ceaucescu / Stalingrad-ish climax of the Hunger Games [2015]. 'Cept the battle here seemed to have no purpose except result in the inevitable deaths of some of the series' Evil-doers.
The "cure" for Zombie-ism, as far as I could see (so this MAY be a spoiler or MAY NOT be ... ;-) turns out to be about as random as the "Maze solution" that had been proposed by some of those evil doctors who die in that final battle.
So I suppose I can report that "all ends well" at the end here. But honestly, most viewers will probably leave wondering: WHY (did it end well)?
But THAT may have been the film-makers' / story-tellers' POINT HERE: Sometimes TERRIBLE THINGS HAPPEN, not just to people but even to entire civilizations, and ... then ... those terrible things ... JUST STOP and ... Life can go on again.
So is this a happy ending? Maybe, sort of, but ... I certainly left wondering ... Why? Why did ANY OF THE STORY TAKE PLACE? How did the plague start and why did it apparently ... stop? BUT AGAIN, that seems to be the point being made. Sometimes ... we just don't know.
Bummer. Maybe ;-). But THANKFULLY ... it's all over ;-).
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >
Die hard / devoted fans of the book series and even the previous movies will probably be happy that the see that this series was able to come to a cinematic conclusion even if it appears that with the Divergent series' flame-out (after the disappointing reviews / box office numbers of the third installment of that series, the fourth film in that series remains yet to be made) Hollywood is apparently becoming more skittish in green-lighting these special-effects heavy and thematically surprising ("teenage apocalypse...") projects.
It appears that with the completion of the Hunger Games cycle (and honestly, _that_ became a slog...), our teens (and indeed the world's teens) have "moved on." Yes, the Marvel Comics based films continue to do well, but then THOSE FILMS TEND TO BE _HAPPIER_.
To the current franchise / story ...
In the second installment, we came to understand better _why_ the society portrayed in The Maze Runner would have resorted to putting seemingly _random_ teenagers into a bizarre "Maze" (to either figure-out how to get out of said maze, or ... eventually, in one way or another ... DIE): The society resorting to this was desperately messed-up, trying to fight-off a truly civilization threatening ZOMBIE APOCALYPSE (!) ;-). I suppose if a civilization was truly facing a "Zombie Apocalypse," it would come up with ALL KINDS OF BIZARRE IDEAS as to "how to combat it" ... including putting _random teenagers_ INTO A GIANT MAZE in hopes that SOMEHOW _they_ would "come up with something that _could_ help." ;-)
Still, once one drops the Z-bomb ... where else can one really go? So the first half of the current film could be described as Zombieland [2009] meets Mad Max: Fury Road [2015] with an extended desert car / train chase scene that ultimately ... doesn't make a whole lot of sense, BUT ... looks "really, really cool." ;-)
Then the second half of the film involves an extended Zombies (here called "Cranks") breaching the Walls of a still modern and previously "protected" city, perhaps recalling the final Ceaucescu / Stalingrad-ish climax of the Hunger Games [2015]. 'Cept the battle here seemed to have no purpose except result in the inevitable deaths of some of the series' Evil-doers.
The "cure" for Zombie-ism, as far as I could see (so this MAY be a spoiler or MAY NOT be ... ;-) turns out to be about as random as the "Maze solution" that had been proposed by some of those evil doctors who die in that final battle.
So I suppose I can report that "all ends well" at the end here. But honestly, most viewers will probably leave wondering: WHY (did it end well)?
But THAT may have been the film-makers' / story-tellers' POINT HERE: Sometimes TERRIBLE THINGS HAPPEN, not just to people but even to entire civilizations, and ... then ... those terrible things ... JUST STOP and ... Life can go on again.
So is this a happy ending? Maybe, sort of, but ... I certainly left wondering ... Why? Why did ANY OF THE STORY TAKE PLACE? How did the plague start and why did it apparently ... stop? BUT AGAIN, that seems to be the point being made. Sometimes ... we just don't know.
Bummer. Maybe ;-). But THANKFULLY ... it's all over ;-).
<< NOTE - Do you like what you've been reading here? If you do then consider giving a small donation to this Blog (sugg. $6 _non-recurring_) _every so often_ to continue/further its operation. To donate just CLICK HERE. Thank you! :-) >
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